柳夢寅의 <擬古詩十九首軆>에 나타난 擬古 양상과 특징 — 陸機의 <擬古詩十二首>와의 비교를 중심으로 —

Abstract

This study analyzes the aspects and characteristics of archaism in Yoo Mong-in(柳夢寅)’s <Uigosisipgusuche(擬古詩十九首軆)> by comparing with <Uigosisipisu(擬古詩十二首)> of Lu Ji(陸機). Yoo Mong-in operated the <Gosisipgusu(古詩十九首)>’s structures strictly and concisely, which was his rule of the creation of archaic poems. Based on this, the main details of imitating of <Gosisipgusu> by the above two writers are as follows. In case of using the rhyming words(韻字), Lu Ji adhered to the rhyme scheme at the ends of even lines(隔句押韻) in every poems; Yoo Mong-in accepted all the features of rhyming words used in <Gosisipgusu> and applied them strictly, while simplified the complex principles. In the number of lines(句數), Lu Ji kept the format of <Gosisipgusu> but added or subtracted two lines in the six works; Yoo Mong-in adjusted two lines in just four works, which is more rigorous than the aspects shown in Lu Ji’s works. Both Lu Ji and Yoo Mong-in recognized the use of repeated words(疊字) as important and actively practiced them. However, the two showed different aspects when it comes to a fixed form of ‘Yeonyongyukcheopja(連用六疊字: using the repeated words from line 1 to line 6)’ which was a unique feature of the second work of <Gosisipgusu>. While Lu Ji broke from the fixed pattern of the original, Yoo Mong-in strictly followed it. Finally, in terms of embodiment of the poetic contents(詩意), the two maintained the themes of the original works and similarly reproduced the poetic contents; in some cases, they maintained the themes of the original but reinterpreted the unclear contents of the original or created them autonomously. And then, Yoo Mong-in embodied the reality problems and conflicts he was facing through allegory(寓意) and satire(諷刺). This is a major feature that distinguishes his <Uigosisipgusuche> from Lu Ji’s <Uigosisipisu>.