이인수 역 『신세대』지 「황무지」와 육필원고 「황무지」의 비교
A Comparative Study of Lee In Soo's Two Korea Versions of The Waste Land
0
조회
0
다운로드
6
인용
0
참고문헌
키워드
초록
Lee In Soo’s first Korean version of The Waste Land was originally published in the January number for the monthly magazine, The Sinsaedae (New Generation), in 1949. The second one, an unpublished holograph manuscript, has been in the possession of the Lee’s family after his death in 1950. It was first printed in the Journal of T. S. Eliot Society of Korea in December 2006. The first Korean version appeared under the name of Lee In Soo, but in reality it was a work of collaboration by Lee and his student Kim Chi-kyu, as Lee acknowledged in his “Translator’s Note.” Collating the published translation, word by word, with the unpublished manuscript clearly shows that the published text is a partially revised and polished version based on the holograph manuscript. In fact, the published version keeps intact a great number of words, lines and passages identical with those in the holograph. Even, it often replicates mis-translations and mis-readings from the manuscript text. The published version differs from the holograph to the extent that words—nouns, verbs, adjectives, and adverbs—are replaced with other synonyms which are more adequate in general. But some are a little strained. Perhaps, the most salient feature of the published text lies in reducing the sprawling 481 lines of the holographic text to 436 lines—only three lines more than the original poem.
Abstract
Lee In Soo’s first Korean version of The Waste Land was originally published in the January number for the monthly magazine, The Sinsaedae (New Generation), in 1949. The second one, an unpublished holograph manuscript, has been in the possession of the Lee’s family after his death in 1950. It was first printed in the Journal of T. S. Eliot Society of Korea in December 2006. The first Korean version appeared under the name of Lee In Soo, but in reality it was a work of collaboration by Lee and his student Kim Chi-kyu, as Lee acknowledged in his “Translator’s Note.” Collating the published translation, word by word, with the unpublished manuscript clearly shows that the published text is a partially revised and polished version based on the holograph manuscript. In fact, the published version keeps intact a great number of words, lines and passages identical with those in the holograph. Even, it often replicates mis-translations and mis-readings from the manuscript text. The published version differs from the holograph to the extent that words—nouns, verbs, adjectives, and adverbs—are replaced with other synonyms which are more adequate in general. But some are a little strained. Perhaps, the most salient feature of the published text lies in reducing the sprawling 481 lines of the holographic text to 436 lines—only three lines more than the original poem.
참고문헌 (17)
- 李仁秀, "新世代 新春号 荒蕪地", T. S 엘리엇 연구, 16(2), pp.232~252 (2006)
- "荒蕪地 육필원고", T. S. 엘리엇 연구, 16(2), pp.253~273 (2006)
- 金秉喆, "韓國近代飜譯文學史" (1975), 乙酉文化社
- 김치규, "二十世紀英詩選" (1954), 新生出版社
- 황동규, "한국 현대시에 끼친 엘리어트의 영향(엘리어트)" (1978), 문학과 지성사
- "나의 은사 이인수 교수", 時計塔, 고려대학교 문과대 교우회지 3호 1998년 4월 25일, ~ (1998)
- "김치규 선생을 찾아서", 안과 밖, (6) (1999)
- "시와 삶 사이에서" (2005), 현대 문학사
- 봉준수, "황무지 번역의 어려움", 안과 밖, (6) (1999)
- 尹順根, "荒蕪地 硏究의 計量書誌學的考察", 書誌學硏究, 8 (1992), 書誌學會
- 이성일, "T. S. 엘리엇의 荒蕪地 初譯一故 李仁秀 敎授 肉筆原稿 와 活字 印刷本", T. S. 엘리엇 연구, 16(2), pp.229~280
- 피천득, "피천득 선생을 찾아서", 안과 밖, (3) (1997)
- 川島保良, "回想のプライス" (1984), 印象社
- Davidson, Harriet, "Improper desire: Reading The Waste Land(In The Cambridge Companion To T. S. Eliot)" (1994), Cambridge UP
- Lee, In Soo, "Variations on the Theme of Despair Before and After August 1945(In Grove of Azalea)" (1947), Seoul: Kukje Pub. Co
- Nelson, Cary, "An Anthology of Modern American Poetry" (2000), Oxford UP
- Perkins, David, "A History of Modern Poetry Modernism and After" (1987), Cambridge: Harvard UP
