時調의 ‘매 사냥’ 담론과 문화권적 通涉의 양상

Abstract

This study was on the change of charge class who wrote the 'Sijo(時調)-regular version, unlimited length vesion' taking the hint from 'Hunting with a hawk', And then it make an interpretation of their culture areal exchange. Originally, 'Hunting with a hawk' was brought to the documents of 'Era of the three-Kingdoms'. And It was beloved by high society. So we can understand that our nation have been a hunt familiarly. Now 'Hunting with a hawk' was disapeared for a social condition and change of times. But it was expected that we can get to a glimpse of national life through the 'hunting with a hawk'. Specially it was focused on korean lyric song. Accordingly retirement in the city became a main style of life, and Kim chang up who have a enjoyment of unwordly interest wrote a Sijo that was taking the hint from 'Hunting with a hawk'. And then it was written in unlimited length vesion, Thereafter it was given in the 􋺷Gagokwonryu􋺸. In the end, it has an reciprocate effect on the text of a popular song in the latter half of 19th century. In the course, unlimited length vesion written by Kim chang up that he has a unworldness idea was given in a collection of poems, but Parkmunuk(朴文郁)’s and 133 in 􋺷Kogeum􋺸were omitted. In the case of unlimited length vesion, 955, 1000 in 􋺷Byungga􋺸 that have a unworldness were handed down in a collection of poems successionally, but 410 in 􋺷heungbipu􋺸that was focused on a description and neglected the maening of 'cleaness'was disappeared in the next collection of poems. Through this fact, we can know what kind of 'Sijo' was in vogue with enjoyer. On the other hand, in the latter half of 19th century that popular song was in vogue widely, 955 in 􋺷Byungga􋺸 that was in vogue which has given in the 􋺷Gagokwonryu􋺸was used for writing a 'hunting a falcon~' song. Judging from this fact, the Sijo taking the hint from 'hunting with a hawk' was enjoyed centering arround Seoul area, and then it was transformed into popular song by singer-what is called 'Chuachang'. It may be given as a conclusion that we can know how was exist in the poems and songs, and how was exchange of the literature charger's consciousness at that time. Herewith we will confirm that Korean lyric song has an activity of a genre through relation with the intertextuality of the works-'sijo:sijo or sijo:popular song'