<혜성가>와 적극적 방어로서의 언술 전략

Abstract

This paper was derived from point <Hyeseongga> and a tale is a shaman song is not simply magic. If this song and a tale described in such intention which should have been recorded in different stitches. However, <Hyeseongga> and a tale that is clearly <Gamtong> it is listed on the side. You know better <Gamtong> side is that this correlation because it is composed of sensitive information on one’s god Buddha. In that sense <Hyeseongga> with a tale that is because it is understood that it is accompanied by a means of defense to deny the entry of the waebyeong. Typically defense has a sense of light that points to the ‘M Smell prevent or never to break’ or ‘objects and actions to defend itself against attacks from other objects or injuries that behavioral defense. The defense is the concept of self or entity encompassing the move to the country mobilized all means, makes a clearance. Resistance between fights between objects or groups, it means defense implications encompassing a war between nations. But in defense of <Hyeseongga> with a tale and battle it actually has some distance. That is, clearly, despite the penetration of waebyeong there was denied because it actively. It deneun be understood as a form of magic in order to express that reason there is a clear limit. Therefore <Hyeseongga> with a tale that is distinctly language of the Buddha as a positive defense can not dare to come to this country, which is something waegu eungheom expression. When it is possible <Hyeseongga> and its emergence as a comet eradication of convergence angel of the comet seen in the tale, hwanguk of waebyeong can be understood as a natural one story. Only then can divinity Liyeon that emphasize deliberate on the ‘Yungcheonsa Hyeseongga King Jinpyung’s Period’ actions and determine the self-esteem and pride in one bulgukto miracle.