존재론적 욕망의 회화적 역능성 연구

Abstract

This thesis is focussed on the puissance of ontological desire of Non-representation in Art. It concerns to the self-negation and the moment of complexity. 1) We are living in the moment of unprecedented complexity. This is a time of transition betwixt a period that seemed more stable and a time equilibrium will be restored. Awash in a sea of meaningless information and images by new media, many people long for stability. Stability, however, can be deceptive. In the world that is emerging, the condition of complexity is irreducible. While the moment of complexity generate uncertainty, today's cultural transformation are also creating possibilities for apprehending ourselves in a new way. To understand our time, we must comprehend complexity, and we have to criticize the hyper-attention. That is to realize the dangers of the cogito-subject and one's hyper-positive attitude. 2) In Modern Era "Representation" is an activity of self-othering which is based on the subjectivity. The cogito-suject self identically reduces others. As a result, the representational painting shows up as a screen-like effect of "Presence" in the Late Modernist Painting. Since the pictorial image holds epistemological objectivism, it is similar to Language as the closed system. On the other hand, Non-representation in Art refers to the open system since presence and absence are based on double-negation. If the representation is the outcome of self-affirmation through self-othering, non-representation is the outcome of self-negation. This concept relate to the Trans-Linguistic Thought. In this thought, one's self-negation attitude continuously rejects the extinction of opposite minded manners such as subject/object, spirit/physic, visible/invisible. civilized/uncivilized, etc. Therefore, the non-representation, based on the self-negation, familiar with the kind of chaos-oriented axiology. Finally speaking, that is the result of puissance of the ontological desire and the net-work centric thought.