W. B. Yeats’s Tragic Gaiety in Sophocles’ King Oedipus
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Yeats completed his theory of tragedy after his translation and the performance of Sophocles’ King Oedipus. The theory of his tragedy is as follows. First, the protagonist tries to overcome his fate and inquires into passionate identity. Second, the protagonist reaches tragic ecstasy. Thirdly, the protagonist changes his passion into wisdom. Fourthly, the protagonist completes the ultimate reality through the tragic gaiety. In short, Yeats, after completing tragic gaiety in Sophocles’ King Oedipus, shows how he embodies the ultimate reality.
Abstract
Yeats completed his theory of tragedy after his translation and the performance of Sophocles’ King Oedipus. The theory of his tragedy is as follows. First, the protagonist tries to overcome his fate and inquires into passionate identity. Second, the protagonist reaches tragic ecstasy. Thirdly, the protagonist changes his passion into wisdom. Fourthly, the protagonist completes the ultimate reality through the tragic gaiety. In short, Yeats, after completing tragic gaiety in Sophocles’ King Oedipus, shows how he embodies the ultimate reality.
참고문헌 (9)
- Charles I. Armstrong, "W. B. Yeats as Translator: Form, Function, and Fidelity in The Two Sophoclean Plays (for the late Professor Daniel Albright)", 한국 예이츠 저널, 46, pp.35~54 (2015), 한국예이츠학회[DOI]
- Aristotle, Longinus, Demetrius, "The Poetics, On the Sublime, On Style" (1965), Harvard UP
- Clark, David R, "W. B. Yeats: The Writing of Sophocles’s King Oedipus" (1989), The American Philosophical Society
- Jeffares, A. Norman, "A Commentary on the Collected Plays of W. B. Yeats" (1975), Stanford UP
- Nathan, Leonard E, "The Tragic Drama of William Butler Yeats" (1965), Columbia UP
- Yeats, William Butler, "The Collected Letters of W. B. Yeats" (1955), Macmillan
- Yeats, William Butler, "The Collected Plays of W. B. Yeats" (1977), Macmillan
- Yeats, William Butler, "Essays and Introductions" (1980), Macmillan
- Yeats, William Butler, "Explorations" (1962), Collier Books