무갈 초기 회화에 있어 전통과 외래의 융합: [뚜띠나마(Tūtīnāma)]를 중심으로
The Amalgamation between Indigenous and Foreign Elements in the Early Mughal Paintings : Focused on Tūtīnāma
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초록
무갈 시대 초기 회화 양식의 형성과 그 방향성 제시에 가장 커다란 역할을 한 것은 아크바르이다. 평생을 통해 그가 보여 준 자연과 물질 세계에 대한 관심, 모든 종교들을 포괄하는 관용, 회화나 건축을 비롯한 예술에 대한 갈망과 열정, 전사로서의 그의 기질 등은 무갈 초기 회화 양식의 형성에 결정적 역할을 하였다. 무갈 초기 회화 양식의 형성에 영향을 미친 또 다른 요소로는 무갈 이전에 인도에 이미 존재했었던, 인도 무슬림과 힌두교 주제의 회화 전통과 무갈 궁정에서 활약한 페르시아와 중앙 아시아 출신의 화가들과 예수 선교사들이 갖고 온 유럽의 회화들이다. 본 논문에서는 무갈 초기 제작 삽화본인 [뚜띠나마]를 중심으로 상기 열거한 외래적 요소들과 인도적 요소들이 어떻게 [뚜띠나마]에 영향을 주었는지 살펴보았다.
Abstract
It was Akbar who has the biggest role to establish the style and direction in the early Mughal paintings. Through his life, he showed the interesting in nature and material world, and tolerance which encompasses all religions as well as his passion on art, his temperament as a warrior. All these elements did decisive role to mold the basic characters of the early Mughal paintings. There are another painting traditions which were already prevalent in India before Mughal, namely Hindu, Indo-Muslim, and Jain tradition of painting. In this paper, I have tried to show the amalgamation between indigenous and foreign elements in the early Mughal Paintings: focused on Tūtīnāma
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