의궤 정재도의 기록구조 고찰

Abstract

Jeongjaedo is recorded dance performed in a royal banquet for 107 years from the era of the King Jeongjo (1975) to the era of the King Gojong (1902) in Uigwe. There are 12 kinds of Uigwe containing Jeongjaedo, and Jeongjae items number 44 and 342 pieces of Jeongjaedo are included. For the purpose of the study, comprehensive comparison of record structure of Uigwe Jeongjaedo generated the following conclusions. First of all, each Uigwe includes at least one piece to 19 pieces among the 44 kinds of Jeongjaedo. Regarding the Jeongjaedo, the title of Jeongjae item and the contents of dance turned out to vary depending on Uigwe. Yeoryeong Jeongjae was inaccurately indicated as Mudong Jeongjae, and in some Jeongjae, the contents of dances were different despite different titles, and the title of dance was omitted in Jeongjaedo. Each Jeongjaedo was divided into Mudong Jeongjae and Yeoryeong Jeongjae to make it possible to visually examine changes in dances, clothes and dance props (Mugu) by dynasty and feast. In Jeongjaedo, dancers are supposed to be placed in a certain position according to their roles, and the record structure observes a certain form as suggested in the 44 kinds of Jeongjaedo. Each Jeongjae has different dancers, but common dancers appearing in Jeongjaedo include Jukganja, Jokja, Seonmo [Chieoin, Jungsimmu, Hwangcheoyong], Hwanggae, Jakseon, Wonmu, Hyeopmu, Jipdang, Bodeung, Jipsagi, Bonghwa, Bongpil, Jipbagakgwan, Jipbagaksa and Gaja, a standby dancer. It was recorded based on classification into five types, and some suggested only the dancers appearing in each Jeongjae, and others suggested both performing dancers and standby dancers. And some included performing dancers, Jipbagaksa and Jipbagakgwan, and others suggested Gaja and standby dancers. Jeongjaedo was focused on dancers with regard to record, and there were four types of common record structures. First, Jukganja and Jokja were placed in the north, and a performing dance stood at the center with Jipbagaksa on both sides. A standby dancer is positioned in the back. Second, Jokja and Mugu (props) were placed in the north, and Jukganja was positioned in the south. A male dancer stood at the center of the stage. Third, Jipbaksa and Akgwan were placed in the north, and a performing dancer stood in the south. Fourth, only the performing dancers are positioned at the center of the stage.