의궤의 검기무 정재도 연구-『진찬의궤』·『진연의궤』를 중심으로

Abstract

This study focused on validating the contents of the dance in『jinchaneuigwe 進饌儀軌』and『jinyeoneuigwe 進宴儀軌』for the purpose of understanding and arranging the substance of geomgimu 劍器舞 jeongjaedo 呈才圖 contained in euigwe 儀軌. Three volumes of geomgwemu jeongjaedo are contained in 『jinchaneuigwe』, two volumes in『jinyeoneuigwe』, and these five volumes are all of yeoryeongjeongjae 女伶呈才. The same dance contents are overlappingly included in euigwe. The contents of King Sunjo 純祖 gichuk 己丑 and are the same as those of King Gojong 高宗 sinchuk 辛丑 and King Gojong 高宗 Imin 壬寅 『jinyeoneuigwe』, but they are discriminated from those of King Heonjong 憲宗 musin 戊申 『jinchaneuigwe』. The contents in common reflected from geomgimu jeongjaedo are the fact that all dancers dance face to face centering around their swords. The number of dancers consists of four and the formation of jeongjae 呈才 shows symmetrical forms in general. The first squads on the right and left dance sangdaegwemu 相對跪舞 in a sitting position facing each other and the second squads on both sides dance sangdaegimu 相對起舞 in a standing position facing each other. Here it is common to them that the first and second squads all dance facing each other. The dance movements suggested in geomgimu 劍器舞 jeongjaedo 呈才圖 consist principally of the movements spreading up both hands. The right or the left arm is held up or down and the right or left hand is held up in front or in rear. The dance movements of geomgimu suggested in jeongjaedo indicate five ones - yangsubanhageo兩手半下擧, usupyeonggeo右手平擧 jwasusanggeo左手上擧, yangsupyeonggeo兩手平擧, usubanhageo右手半下擧 jwasusanggeo 左手上擧 and ususanggeo右手上擧 jwasupyeonggeo 左手平擧. As aforementioned, the details validated in geomgimu jeongjaedo manifest that all the dance squad members form a dance formation and dance sangdaemu 相對舞 centering around swords and facing each other with sequential movements picking up swords. Furthermore, the overall contents of geomgimu revealed from jeongjaedo consist of sangdaegimus with jipgeom 執劍, nonggeom 弄劍 and sangdaegwemu. In the order of jipgeom, the right hand placed first and next the left hand. Various styles are represented from the jwamu 左舞 picking swords first and next the umu 右舞 and brandishing swords.