문화복지 관점에서 본 장애인예술단체 운영 활성화 방안 연구

Abstract

The purpose of this paper is to derive a plan to revitalize the operation of art groups for the disabled from the perspective of cultural welfare. Tracking how the intrinsicity and characteristics of cultural welfare make up the connection structure and interactions with art groups with disabilities is not only achieving the primary goal of welfare, but also confirming the inclusion of welfare through research once again. Based on the confirmation of the concept of the disabled and cultural welfare, the actual condition of the operation of art groups for the disabled was diagnosed from the theoretical and empirical level. After reviewing the theoretical background including the review of the retreat, we had time to explore the three disabled culture and arts organizations, which are the subjects of study, from three perspectives. As a research method for this, the faithfulness of the concept of cultural welfare, the orientation of cultural democracy, and the reality of policy were applied. Here, fieldwork was carried out through qualitative interviews. From the perspective of cultural welfare, the plan to revitalize the operation of art groups for the disabled can be summarized into the following five. First, it is the application of cultural welfare that has a narrow and broad meaning. This is the basis on which culture, which is an object and means of welfare, can be properly implemented in terms of welfare. Cultural and artistic application of culture-based social policy is required. Second, cultural and artistic application of social policy based on the cultural sphere is required. It means that the basic approach to cultural welfare puts weight on the level of welfare and social services. Third, it is the implementation of policies in accordance with the establishment of the concept of art organizations for the disabled. This means that institutional and policy efforts according to the legal stipulation are essential. Fourth, it is a reflection of the special aspect of the art of disability. It is necessary to respond promptly to the internal and external environment surrounding art groups for the disabled. Fifth, there is a need to increase comprehensive cultural welfare. In the consciousness of a “community”, the gap between the institution and the reality should be narrowed, so that the creation and implementation of an environment that guarantees sustainability rather than one-off should be organically connected. It is expected that this study, which was discussed in a poetic way, will further promote art activities for the disabled from the perspective of cultural welfare, and lay the foundation for the development of art organizations for the disabled and further enrichment of society and the country.