王國維境界類型來看宋代女性詞人詞作品之境界
A study on the women Ci-poets of the Song Dynasty: In view of the theory of realm advocated by Wang Guowei
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참고문헌
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초록
王國維詞論上一直強調的「境界」是作家真心的表現，所以對於在創作上沒有任何外在利害關係的女性詞人的作品中，與「境界」具有更緊密的內在連結。因爲在中國文學史上給宋代女性作家詞作品的價值是，它們切切實實地體現着自然美與真實美。本文將王國維的三种境界類型來看宋代女性作者詞作品中的創作表現，它們在創作上多有與王國維「境界説」中的「真」相應和之處，而其作品的表現以「有我之境」爲主，「寫景」比「造境」突出，用「小境」創作的比「大境」較爲多。
Abstract
Wang Guowei combined the essence of Chinese literature with that of Western literature and put forward a complete theory of literature and art, with the“theory of realm”as its core. The theory of realm, as the core of Wang Guowei's aesthetic concepts, Jing jie(境界) has often been translated and highlighted as ― spiritual realm. During the Song Dynasty, it was common for the women poet’s work, which often has little or nothing to do with the topics of their poems. However, many of its works had been linked to Wang Guowei’s theory. It is because of the style of women writing expressed rendering the beauty of the natural and truths. The study reported in this paper examines the women poet’s work of Song Dynasty based on Wang Guowei's theory of realm. Most of women poet’s work of Song Dynasty has been fundamentally devoted to Ego-involved Realm of Wang Guowei, also related to‘Genuine’ from his theory. Writing Realm(寫境) is more than Creating Realm(造境) outstanding, Also Many more work will be written as Small Realm(小境).
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