从序跋视角浅谈清代浙江闺秀作家戏曲、小说评论的关注点
The Concern of Qing Dynasty Women Writers’ Drama and Novel Criticism from Perspective of Preface and Postscript
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In Qing Dynasty, the women writers in Zhejiang province not only wrote poem and ci, but also wrote drama and novel criticism in the forms of preface and postscript. Through the preface and postscript, we can learn that the women writers paid attention to the female date and marriage, the female reputation and chastity. These women writers also can created a strong emotional resonance which is the differrnce in drama and novel criticism between male and female.
Abstract
In Qing Dynasty, the women writers in Zhejiang province not only wrote poem and ci, but also wrote drama and novel criticism in the forms of preface and postscript. Through the preface and postscript, we can learn that the women writers paid attention to the female date and marriage, the female reputation and chastity. These women writers also can created a strong emotional resonance which is the differrnce in drama and novel criticism between male and female.
참고문헌 (9)
- 丁申, "≪国朝杭郡诗三辑≫(清光绪十九年刻本)"
- 顾太清, "红楼梦影" (1988), 北京大学出版社
- 徐世昌, "晚晴簃诗汇" (1988), 中华书局
- 蔡毅, "中国古典戏曲序跋汇编" (1989), 齐鲁出版社
- 吴宗爱, "徐烈妇诗钞(云鹤仙馆刻本)" (1875)
- 毛效同, "汤显祖研究资料汇编" (1986), 上海古籍出版社
- 毛文芳, "物ㆍ性别ㆍ观看——明末清初文化书写新探" (2001), 台湾学生书局
- 吴梅, "顾曲麈谈 中国戏曲概论" (2000), 上海古籍出版社
- 张宏生, "古代女诗人研究" (2002), 湖北教育出版社