본문 바로가기
KERD
논문KCI 등재

『源氏物語』手習巻の「袖ふれし人」歌考察 –多義性という観点に着目して–

A Study of Ukifune’s Waka, “Sodefuresihito”(he whose sleeves brushed mine...), in The “Tenarai” Chapter of The Tale of Genji -Focused on its ambiguity-

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

주제분류일본어와문학

초록

Ukifune’s Waka, “Sodefuresihito” is a part that has been discussed constantly concerning its meaning. How it is meant Kaoru or means Nionomiya, that the opinion is divided in the prior study. In fact, the possibility that can be interpreted in many ways exists in this Waka. In order to deepen the understanding of the story, it is important to clarify the meaning, but it should be kept in mind at all times that the subject of this ambiguity when we think about the Ukifune’s Waka, “Sodefuresihito”. The emotions of Ukifune for Nioimiya and Kaoru is in contrast exactly, yet it is quite different from that in the The “Ukifune” Chapter. However, it is not the romantic feelings of Ukifune for Nioimiya and Kaoru. It seems just as should be viewed as fond memories of bygone days. Through in trying interpretation of ambiguity, it also allows for the discovery of further appeal and deep understanding of this story. Therefore, the ambiguity which is used in Ukifune’s Waka, it is a more sophisticated way to weave a richer story.

Abstract

Ukifune’s Waka, “Sodefuresihito” is a part that has been discussed constantly concerning its meaning. How it is meant Kaoru or means Nionomiya, that the opinion is divided in the prior study. In fact, the possibility that can be interpreted in many ways exists in this Waka. In order to deepen the understanding of the story, it is important to clarify the meaning, but it should be kept in mind at all times that the subject of this ambiguity when we think about the Ukifune’s Waka, “Sodefuresihito”. The emotions of Ukifune for Nioimiya and Kaoru is in contrast exactly, yet it is quite different from that in the The “Ukifune” Chapter. However, it is not the romantic feelings of Ukifune for Nioimiya and Kaoru. It seems just as should be viewed as fond memories of bygone days. Through in trying interpretation of ambiguity, it also allows for the discovery of further appeal and deep understanding of this story. Therefore, the ambiguity which is used in Ukifune’s Waka, it is a more sophisticated way to weave a richer story.

참고문헌 (19)

  1. 池田和臣, "源氏物語 表現構造と水脈", pp.374~399 (2001), 武蔵野書院
  2. 今井上, "源氏物語 表現の理路", pp.147~169 (2008), 笠間書院
  3. 大軒史子, "王朝語辞典", pp.245~ (2000), 東京大学出版会
  4. 金秀姫, "浮舟物語における嗅覚表現―「袖ふれし人」をめぐって―", 国語と国文学, 78(1), pp.27~40, 東京大学国語国文学会
  5. 後藤祥子, "講座源氏物語の世界", pp.236~237 (1984), 九 有斐閣
  6. 三条西公条, "細流抄", pp.443~ (1980), 桜楓社
  7. 鈴木裕子, "浮舟の独泳歌―物語世界終焉へ向けて―", 日本文学, 95, pp.41~46 (2001), 東京女子大学日本文学研究会
  8. 高田祐彦, "源氏物語の文学史", pp.270~274 (2003), 東京大学出版会
  9. 中院通勝, "岷江入楚", pp.739~ (1984), 桜楓社
  10. 牡丹花肖柏, "弄花抄", pp.325~ (1983), 桜楓社
  11. 藤原克己, "「袖ふれし人」は薫か匂宮か―手習巻の浮舟の歌をめぐって―", pp.40~64 (2006), 新典社
  12. 藤原克己, "源氏物語の透明さと不透明さ―場面・和歌・語り・時間の分析を通して", pp.183~191 (2009), 青簡舎
  13. 三田村雅子, "源氏物語 感覚の論理", pp.210~213 (1996), 有精堂
  14. 尹勝玟, "浮舟物語の方法―入水の方法をめぐって―", むらさき, 46, pp.26~28 (2009), 武蔵野書院
  15. 尹勝玟, "八の宮の遺言の多義性―呪縛される遺言から利用される遺言へ―", 国文と国文学, 86, pp.15~27 (2009), 東京大学国語と国文学会
  16. 尹勝玟, "宇治十帖後半の世界が描き出しているもの―浮舟の出家を中心に―", 東京大学国文学論集, (5), pp.17~32 (2010), 東京大学文学部国文学研究室
  17. 윤승민, "浮舟物語における女二宮の意義考察", 일본어문학, 62(62), pp.277~300 (2013), 일본어문학회
  18. 柳井滋, "源氏物語", pp.378~ (1997), 岩波書店
  19. 尹勝玟, "『源氏物語』宇治十帖論―その虚構の方法", 博士, pp.2012

관련 논문AI추천

이 간행물의 다른 논문 (23건)