姚合 시가에 나타난 자연묘사 양상
A Study on the aspect of Yao-He's Landscape Poetry.
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This article was written to study on the aspects of the Yao-He (姚合, 779?-846?)'s landscape poetry. Yao-He was one of important poets in the school of Hanmeng(韓孟) in mid-Tang dynasty. During the mid-Tang dynasty, the aesthetic theme tradition of landscape poetry were innovated by Yao-He and Jia-Dao and their epigone. The features of Yao-He's Landscape poetry was in basically inherited the landscape poetry in high-Tang Dynasty, but the aspects of the Yao-He's Landscape poetry was developed some different direction. I can be summarized the distinct characteristic of his poem as that :The first, Yao-He's landscape poetry basically seek the small subject of nature, and pursuit detailed description. We can say Yao-He is the meson of landscape poetry between high-Tang and mid-Tang dynasty, but, in the other hand, it associated with small scale approaches in writing poem about nature scenery and which represented one of the style of mid-Tang Dynasty. The second, In Yao-He's poems, he had concentrated his rich emotion by using rather small spaces comparison with other poet. That, in some aspect, means he had intense feeling and passion in his inner world. Most of poets of mid-Tang dynasty experienced suffering life which comes from political environment, and Yao-He's government process was not very successful, so his landscape poetry was also a part of the expression of his life, that the expression can be offered his landscape poetry have some of small spaces and view point. The third, in the way of expression, Yao-He pursued fresh and elaborate description. This aspect can created fine expressions, on the one hand, he can marked an more unique style of mid-Tang dynasty. At to artistic conception, narrow and small, detailed aspects of Yao-He's landscape poetry not much showing the magnificence of the poems as in high-Tang dynasty, but it contains it's own character of mid-Tang dynasty. After Song dynasty, more critics regarded Yao-He and Jia-Dao as successor of Chinese aesthetic theme on landscape poetry.
Abstract
This article was written to study on the aspects of the Yao-He (姚合, 779?-846?)'s landscape poetry. Yao-He was one of important poets in the school of Hanmeng(韓孟) in mid-Tang dynasty. During the mid-Tang dynasty, the aesthetic theme tradition of landscape poetry were innovated by Yao-He and Jia-Dao and their epigone. The features of Yao-He's Landscape poetry was in basically inherited the landscape poetry in high-Tang Dynasty, but the aspects of the Yao-He's Landscape poetry was developed some different direction. I can be summarized the distinct characteristic of his poem as that :The first, Yao-He's landscape poetry basically seek the small subject of nature, and pursuit detailed description. We can say Yao-He is the meson of landscape poetry between high-Tang and mid-Tang dynasty, but, in the other hand, it associated with small scale approaches in writing poem about nature scenery and which represented one of the style of mid-Tang Dynasty. The second, In Yao-He's poems, he had concentrated his rich emotion by using rather small spaces comparison with other poet. That, in some aspect, means he had intense feeling and passion in his inner world. Most of poets of mid-Tang dynasty experienced suffering life which comes from political environment, and Yao-He's government process was not very successful, so his landscape poetry was also a part of the expression of his life, that the expression can be offered his landscape poetry have some of small spaces and view point. The third, in the way of expression, Yao-He pursued fresh and elaborate description. This aspect can created fine expressions, on the one hand, he can marked an more unique style of mid-Tang dynasty. At to artistic conception, narrow and small, detailed aspects of Yao-He's landscape poetry not much showing the magnificence of the poems as in high-Tang dynasty, but it contains it's own character of mid-Tang dynasty. After Song dynasty, more critics regarded Yao-He and Jia-Dao as successor of Chinese aesthetic theme on landscape poetry.
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