미야자와 겐지 시와 이와테의 자연– ‘빛’ 표현을 중심으로 –

Abstract

The expression of light in the poetry of Kenji Miyazawa was used in 49 poemsin 85 poems in the first poetry book, and the number of uses or techniques is 126times. And 58 in 110 poems in the second poetry book, and 51 in 126 poems in thethird poetry book. The important point here is that his poetic Esprit is prominentlyexpressed in light - His poems are natural objects that are diffused by light, suchas mountains, hills, trees, grasses and flowers. It is thought to have captured thecharacteristic of each one and the feeling of that time of the self by capturing it inthe net of light. In conclusion, the characteristic part of the light expression in Kenjiis that it has water activity. Water activity dynamically replaces static scenes bychanging things into living things, which gives them liveliness and dynamism. Inaddition, Kenji is transforming the sun into metal or mineral images while expressingnatural objects in the form of simple Which is based on the viewpoint of Haeckel'sdeep ecology that pursues the "Blessing". In his essay on farmer art, Kenji said, "Ifthe whole world is not happy, there is no happiness for the individual. And that heshould go in the direction of pursuing' the true happiness of all creatures', and thatthe deep ecology of Haeckel functions in this thought of Kenji. And this evidencecan be seen in the book "Spring and Sura," which states that "the country is a bluelight that is supposed to be an organic exchange exhibition." Therefore importantin his poem. One position is light, the spiritual and ideal light, the eternity of theuniverse, the light and phenomenon of the sun as an individual, the individual lightof a moment when you feel the interaction of the small light can be said.