원정기(院政期), 제영가(題詠歌)의 우타마쿠라(歌枕) 섭취의 양상에 대한 고찰 - 우타마쿠라 아다치(安達)를 중심으로 -

Abstract

In this Paper, I have historically considered Utamakura “Adachi”. “Adachi” can find an example from 『Kokinshu』 as early as possible. Nevertheless, because “Adachi” was a remote place away from the capital, kyoto, it was also a place of ideas that conveys a distant unknown area and a scary tales of Cannibal demon(Oni). In addition, it has inherited the tradition of producing sacred treasures that are said to have the power to attract people far away in love songs from “Mayumi Adachi” in 『Kokinshu』. Therefore, compared to other Utamakura, especially the Utamakura on the Tokaido, which was far from the capital and whose discovery and subsumption in the Daie was delayed, it was also a Utamakura whose subsumption in the Daie was delayed. However, it seems that interest in the Utamakura “Adachi” has increased sharply since Minamoto Yoritomo’s conquest of Oshu, when Shigeyuki’s waka was introduced into 『Shinkokinshu』. And it can be said that one of the results was that it was selected as the title of 『Shinkokinshu』, which was held to celebrate the completion of it. On the other hand, the Utamakura “Adachi”, which seemed to be seasonally established as an autumn Utamakura and a frontier Utamakura, was held in just eight years after the 『Saisho Shitennoin Shoji Waka』 was held. Although it was the end of winter, it was placed in the winter as a link between the four seasons. As a result, the Utamakura “Adachi” is not just a place abandoned by anyone, but it seems that it has become a Utamakura that connects the end of winter to the beginning of spring, even though the rule of the imperial court is at the forefront. . It seems that the arrangement of the Utamakura “Adachi” in this 『Kempo Hyakushu』 is related to the consciousness of trying to represent as the emperor of Jundokuin, which controls the space-time of Japan.