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현진건과 라우 캄험의 작품에 나타난 “가난” 읽기 -단편 <운수 좋은 날>과 <개구리>를 중심으로-

The Image of Poverty Reflected in A Day of Good Luck of Hyun Jin Keun and Golden Legged Frog of Lao Khamhom

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참고문헌

키워드

주제분류학제간연구

초록

The purpose of this study is to find how and why the korean writer, Hyun Jin Geon and the thai writer, Lao Khamhom described the problem of “Poverty” in their short story. In “A day of good luck” Hyun Jin Geon describe the destitute and dismal reality of the urban lower class in 1920s’ through the description on the whole day life of the urban rickshaw, a man of surname Kim(Kim cheomji) realistically. And Lao Khamhom in his short story “Golden legged frog” told the miserable and unenlightened rural people in 1950s of the northeast part of Thailand through the description on the whole day of the farmer, Nak Nangam. Both realism writer each witness the real life of the poor in Seoul under the Japanese colony and the silly, ignorant and dark life in rural area people under the military dictatorship and appeal to the wealthy and intelligent in the city people to understand and help them for the better life.

Abstract

The purpose of this study is to find how and why the korean writer, Hyun Jin Geon and the thai writer, Lao Khamhom described the problem of “Poverty” in their short story. In “A day of good luck” Hyun Jin Geon describe the destitute and dismal reality of the urban lower class in 1920s’ through the description on the whole day life of the urban rickshaw, a man of surname Kim(Kim cheomji) realistically. And Lao Khamhom in his short story “Golden legged frog” told the miserable and unenlightened rural people in 1950s of the northeast part of Thailand through the description on the whole day of the farmer, Nak Nangam. Both realism writer each witness the real life of the poor in Seoul under the Japanese colony and the silly, ignorant and dark life in rural area people under the military dictatorship and appeal to the wealthy and intelligent in the city people to understand and help them for the better life.

참고문헌 (14)

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  3. 김치수, "문학사회학을 위하여" (1979), 문학과 지성사
  4. 신동욱, "한국현대문학론" (1972), 박영사
  5. 윤홍로, "한국근대소설연구" (1981), 일조각
  6. 조진기, "한국근대리얼리즘소설연구" (1989), 새문사
  7. 최예열, "현진건 소설에 나타난 식민지 현실 고찰", 대전어문학, 11, pp.133~161 (1994)
  8. 한국태국학회, "태국의 이해" (2008), 한국외국어대학교 출판부
  9. 현길언, "현진건소설연구" (1988), 이우출판사
  10. Marasri Sorthip, "The style of Style of Satire in Lao Khamhom’s Literary Works", 석사, 태국어과, pp.1999
  11. ชาติ กอบจิตติและอีก๔คน, "งานและชีวิตของศิลปินแห่งชาติ พ.ศ. ๒๕๓๕ ลาว คำหอม. กรุงเทพฯ พี.เอ.ลิฟวิ่ง", ~ (2001)
  12. ชูศักดิ์ ภัทรกุลวณิชย์, "ฟ้าบ่กัน หยังว่าให้ห่างกัน. “ เรียงร้อยถ้อยวิจารณ์” ตรีศิลป์ บุญขจร ed.. กรุงเทพฯ สมาคมภาษาและหนังสือแห่งปรเทศไทย", ~ (2009)
  13. ลาว คำหอม, "ฟ้าบ่กั้น" (1974), ศิลปาบรรณคาร

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