본문 바로가기
KERD
논문KCI 등재

19세기 전반 유럽 풍경화가의 광학도구 카메라 루시다의 사용 분석 - 영국 풍경화가 존 헤어셜, 바실 홀, 존 셀 코트만을 중심으로

Analysis of Using of the Optical Instrument Camera Lucida by the European Landscapists in the first half of the 19 th Century - On the English Painters J. F. W. Herschel, B. Hall, J. S. Cotman

0

조회

0

다운로드

2

인용

0

참고문헌

키워드

주제분류기타인문학

초록

This treatise investigates the using of the camera lucida as the representative optical instrument for drawing in the first half of the 19 th century in Europe. Invented in 1806 by the English scientist W H Wollaston (1766-1828), the camera lucida had been manufactured since 1807 and widely used by many European landscape painters. In order to examine the effects and problems of using the camera lucida this treatise analyses the drawings made with the camera lucida by amateur and professional painters during 1810s and 1840s in England; firstly, the two portrait drawings by the painters, John and Cornelius Varley and secondly, the landscape drawings by the scientist John F. W. Herschel and the navy officer Basil Hall and thirdly, the topographic drawings of the famous watercolorist John Sell Cotman (1782-1842) who successfully used the device for drawing architectural momuments and natural surroudings. The beneficial elements of the camera lucida were the rapid speed and the drawings of outlines as well as perspective lines which were more necessary to amateur artists than professional. On the problems of the device some professional painters pointed out the inaccuracy of outlines and perspective lines and were not content with the line quality. None the less the camera lucida had been widely used by the landscapists during the 19 th century, because they could easily bring it outside and draw objects directly in the nature, and it was more convenient than the rival media, the camera obscura.

Abstract

This treatise investigates the using of the camera lucida as the representative optical instrument for drawing in the first half of the 19 th century in Europe. Invented in 1806 by the English scientist W H Wollaston (1766-1828), the camera lucida had been manufactured since 1807 and widely used by many European landscape painters. In order to examine the effects and problems of using the camera lucida this treatise analyses the drawings made with the camera lucida by amateur and professional painters during 1810s and 1840s in England; firstly, the two portrait drawings by the painters, John and Cornelius Varley and secondly, the landscape drawings by the scientist John F. W. Herschel and the navy officer Basil Hall and thirdly, the topographic drawings of the famous watercolorist John Sell Cotman (1782-1842) who successfully used the device for drawing architectural momuments and natural surroudings. The beneficial elements of the camera lucida were the rapid speed and the drawings of outlines as well as perspective lines which were more necessary to amateur artists than professional. On the problems of the device some professional painters pointed out the inaccuracy of outlines and perspective lines and were not content with the line quality. None the less the camera lucida had been widely used by the landscapists during the 19 th century, because they could easily bring it outside and draw objects directly in the nature, and it was more convenient than the rival media, the camera obscura.

참고문헌 (17)

  1. 이상면, "최초의 영상기구, 카메라 옵스쿠라의 문화사적 의미", 영상문화, (16), pp.131~161 (2010), 한국영상문화학회
  2. 이상면, "근대 유럽 풍경화와 과학(영상)기구의 연관성* - 카날레토ㆍ샌드비ㆍ탈보트의 미술작업에서카메라 옵스쿠라와 카메라 루시다의 사용에 대해", 영상문화, (23), pp.329~368 (2013), 한국영상문화학회
  3. 호크니, 데이비드, "명화의 비밀" (2003), 한길아트
  4. 호크니, 데이비드, "그림의 역사" (2016), 미진사
  5. "2012: Cotman in Normandy. 10.Oct.2012~13.Jan.2013" (2012)[URL]
  6. "The Hypothesis, Optics, Skill, and the Fear of Death" (2001)[URL]
  7. "Art-Optics" (2018)[URL]
  8. "Camera Obscura vs. Camera Lucida: Distinguishing Early Nineteenth Century Modes of Seeing" (2006)[URL]
  9. Gorman, Michael John, "Art, Optics and History : New Light on the Hockney Thesis", Leonardo, 36(4), pp.295~301 (2003), The MIT Press
  10. Hammond, John H., "The Camera Lucida in Art and Sciences" (1987), Adam Hilger
  11. "Cotman Through the Camera Lucida" (2014)[URL]
  12. Hick, Ulrike, "Geschichte der optischen Medien" (1999), Wilhelm Fink Verlag
  13. Kemp, Martin, "The Science of Art. Optical Themes in Western Art from Brunelleschi to Seurat" (1990), Yale University Press
  14. Newhall, Beaumont, "The History of Photography. from 1839 to the present" (1982), The Museum of Modern Art
  15. Schaaf, Larry J, "Tracings of Light: Sir John Herschel and the Camera Lucida" (1989), Curatorial Assistance Inc
  16. Schaaf, Larry J, "Ich sehe was, Du nicht siehst! Sehmaschinen und Bilderwelten", pp.48~53 (2002), Museum Ludwig
  17. Steadman, Philip, "Vermeer’s Camera. Uncovering the truth behind the masterpieces" (2001), Oxford University Press

관련 논문AI추천

이 간행물의 다른 논문 (12건)