체호프의 희곡 「벚나무 동산」 다시 읽기
The re-reading of Čechov's Drama <Cherry orchard>
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In the dramas of A. Čechov is the dramaturgy, for example, borrowing of the poetics of classicism, arrival and departure, effect of behind the stage, problem of intellectuals, the invisible personae and so on very important for the comprehension of the essence of Čechov's creating. In this article I pursue the three points of the Čechov's dramatic poetics: effect of behind the stage, expectation and realization, the absurd drama. By the help of effect of behind the stage he can show us the everyday life in Russia in 19th century. Through the expectation and realization emphasizes the dramatist the unexchangeable fate of the dramatic personae. The elements of the absurd drama in <The cherry orchard> testifies the extraordinary facilities of the dramatist A. Čechov, because he preceded the absurd dramas in the 1950th years, for example, S. Beckett, E. Ioneco etc.
Abstract
In the dramas of A. Čechov is the dramaturgy, for example, borrowing of the poetics of classicism, arrival and departure, effect of behind the stage, problem of intellectuals, the invisible personae and so on very important for the comprehension of the essence of Čechov's creating. In this article I pursue the three points of the Čechov's dramatic poetics: effect of behind the stage, expectation and realization, the absurd drama. By the help of effect of behind the stage he can show us the everyday life in Russia in 19th century. Through the expectation and realization emphasizes the dramatist the unexchangeable fate of the dramatic personae. The elements of the absurd drama in <The cherry orchard> testifies the extraordinary facilities of the dramatist A. Čechov, because he preceded the absurd dramas in the 1950th years, for example, S. Beckett, E. Ioneco etc.
참고문헌 (20)
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