家藏本 『雷象觀藁』 小考
A Study of Noesanggwango(雷象觀藁) Handed Down in the Author’s Family
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The purpose of this study lies in introducing Noesanggwango(雷象觀藁, a collection of manuscripts of Lee In-sang(李麟祥)), which is handed down to a descendant of the author. By applying the methodology of bibliography, I examined the system, included works and characteristics of this new text. As collections of Lee’s writings, Neunghojip(凌壺集, printed edition) and Noesanggo(雷象稿,manuscript copy) have hitherto been cited. Therefore I tried to show the value of the new text through a comparison with the two already mentioned collections of Lee’s writings. This bibliographical study raises several important questions. First, because Noesanggwango is the edited version of Neunghojip, it vividly reveals the formative process of the printed edition. so it is necessary to review the editorial viewpoint of Yoon Myeon-dong(尹冕東), the compiler of the printed edition. In addition, Noesanggwango is a proofread version that also aims at an edition with a new format. It encompasses a number of works omitted from Neunghojip. Consequently, it is essential to reconstruct again afresh the literary world of Lee In-sang. To solve these problems, it must be considered deeply the significance of Noesanggwango within literary and historical contexts. Such remaining problems will be the objects and goals of my future tasks.
Abstract
The purpose of this study lies in introducing Noesanggwango(雷象觀藁, a collection of manuscripts of Lee In-sang(李麟祥)), which is handed down to a descendant of the author. By applying the methodology of bibliography, I examined the system, included works and characteristics of this new text. As collections of Lee’s writings, Neunghojip(凌壺集, printed edition) and Noesanggo(雷象稿,manuscript copy) have hitherto been cited. Therefore I tried to show the value of the new text through a comparison with the two already mentioned collections of Lee’s writings. This bibliographical study raises several important questions. First, because Noesanggwango is the edited version of Neunghojip, it vividly reveals the formative process of the printed edition. so it is necessary to review the editorial viewpoint of Yoon Myeon-dong(尹冕東), the compiler of the printed edition. In addition, Noesanggwango is a proofread version that also aims at an edition with a new format. It encompasses a number of works omitted from Neunghojip. Consequently, it is essential to reconstruct again afresh the literary world of Lee In-sang. To solve these problems, it must be considered deeply the significance of Noesanggwango within literary and historical contexts. Such remaining problems will be the objects and goals of my future tasks.
참고문헌 (15)
- 李麟祥, "雷象觀藁", 이인상 후손가 소장본, ~
- 李麟祥, "凌壺集", 한국문집총간, 225
- 李麟祥, "雷象稿 元", 대전 연정국악원 소장본, ~
- 李麟祥, "雷象稿 亨․利", 연세대학교 국학자료실 소장본, ~
- 金鐘秀, "夢梧集", 한국문집총간, 245
- 朴齊家, "貞蕤閣文集", 한국문집총간, 261
- 柳琴, "韓客巾衍集", 규장각한국학연구원 소장본, ~
- 李德懋, "靑莊舘全書", 한국문집총간, 257
- 마에마 교사쿠前間恭作, "古鮮冊譜" (1969), 경인문화사
- 오세창, "槿域書畵徵" (1970), 학민당
- 韓山李氏麟齋公派譜所, "韓山李氏麟齋公派世譜", ~ (1994)
- 김명호, "일본 東洋文庫 소장 『燕巖集』에 대한 고찰", 한국문화, (51), pp.321~347 (2010), 규장각한국학연구원
- 류탁일, "嶺南地方出版文化論攷" (2001), 세종출판사
- 류탁일, "韓國文獻學硏究" (1989), 아세아문화사
- 유승민, "凌壺觀 李麟祥의 書藝와 繪畵의 書畵史的 位相", 석사, pp.2006
