『好色五人女』 나타난 이하라 사이카쿠(井原西鶴)의 여성관
Saikaku’s Views of Women in ≪Koshokugoninonna≫
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Until this time, previous works usually bias to specific women who are forced to live the miserable lives by feudalism in Edo period. In this paper, Saikaku’s view of womanhood is studied analyzing various looks of women described in works. As research methods, the view of study is declared how to look at a man and a woman’s love or date and we looked the result and Kosyoku of heroines in the work examining contents of each volume of ≪Koshokugoninonna≫ in 5. From this result, it is studied how women of Jo-Nin love and date based on the behavior of heroines in each story. Saikaku looked at the love of a couple in a positive way and advised married woman to be a Buddhist monk, using the public eye. To summarize the case, Saikaku expressed positive view about the pure love of married woman and sympathy for woman who faces death. And also, Saikaku tried to describe the woman who lives an independent life even perceiving the love ends in tragedy because of social environment. SaiKaku’s works was beloved because this active attitude makes readers in Edo period empathize and get vicarious satisfaction with the women in Saikaku’s works.
Abstract
Until this time, previous works usually bias to specific women who are forced to live the miserable lives by feudalism in Edo period. In this paper, Saikaku’s view of womanhood is studied analyzing various looks of women described in works. As research methods, the view of study is declared how to look at a man and a woman’s love or date and we looked the result and Kosyoku of heroines in the work examining contents of each volume of ≪Koshokugoninonna≫ in 5. From this result, it is studied how women of Jo-Nin love and date based on the behavior of heroines in each story. Saikaku looked at the love of a couple in a positive way and advised married woman to be a Buddhist monk, using the public eye. To summarize the case, Saikaku expressed positive view about the pure love of married woman and sympathy for woman who faces death. And also, Saikaku tried to describe the woman who lives an independent life even perceiving the love ends in tragedy because of social environment. SaiKaku’s works was beloved because this active attitude makes readers in Edo period empathize and get vicarious satisfaction with the women in Saikaku’s works.
참고문헌 (11)
- "本朝二十不孝" (1963), 岩波書店
- "好色五人女" (1996), 小学館
- "西鶴諸国ばなし" (1996), 小学館
- 冨士昭雄, "オムニバス小説の開花․好色五人女―西鶴․作品に", 国文学解釈と教材の研究, 24(7) (1979), 学灯社
- 白倉一由, "西鶴文芸と一葉文芸─ 大つごもり論─", 日本文芸学, (30) (1993), 桜楓社
- 白倉一由, "西鶴と明治20年代の文学--紅葉․露伴․一葉などを中心に", 國文学: 解釈と教材の研究, 10(6) (1965)
- 曽根ひろみ, "娼婦と近世社会" (2003), 吉川弘文館
- 차진숙, "『好色五人女』 の女主人公の特色", 일본학논집, 2 (1994), 경희대학교 대학원 일어일문학과 일본학논집간행회
- 주세종, "≪好色五人女≫에 나타난 작가의식", 漢陽日本學, 1(3) (1995)
- 이충호, "『호색오인녀』(好色五人女)의 여성관", 일본연구, (2), pp.61~82 (2003), 글로벌일본연구원
- 윤혜민, "『好色五人女』에 나타난 사이카쿠의 호색관(好色觀)", 일어일문학, (66), pp.247~268 (2015), 대한일어일문학회
