카니발 이론으로 본 한국의 가면극
The Korean masque play from the perspective of ‘carnival theory’
1
조회
0
다운로드
8
인용
0
참고문헌
키워드
초록
Festival is the common humans' culture and play culture all the people can share beyond time and space. The carnival in western society developed into resistant public culture going through the late medieval period and the Renaissance based on traditional festival centered on farming society. Likewise, Korean traditional festival and masque play which was made with the background of the farming society had religious origin and were reborn as a new public culture through the medieval feudalism. 'Carnival theory' by Bakhtin related carnival with the public culture of western medieval society and through this theory, we can confirm the common thing the carnival of the western society and one of the most famous Korean yearly festivals, masque play can have. Therefore, in this paper, we will study the essence and characteristic of festivals as humans'typical play culture and public culture by looking around and discussing Korean masque play with carnival theory. And it should be understood in the way to confirm the diachronic commonness of Korean festival culture through the current various interest and movement aimed at reviving festival culture. According to carnival theory, Korean masque play can be characterized as inverted world,grotesque realism, carnivalization of languages, amusing element of festivals, public laughter and utopian ideal.
Abstract
Festival is the common humans' culture and play culture all the people can share beyond time and space. The carnival in western society developed into resistant public culture going through the late medieval period and the Renaissance based on traditional festival centered on farming society. Likewise, Korean traditional festival and masque play which was made with the background of the farming society had religious origin and were reborn as a new public culture through the medieval feudalism. 'Carnival theory' by Bakhtin related carnival with the public culture of western medieval society and through this theory, we can confirm the common thing the carnival of the western society and one of the most famous Korean yearly festivals, masque play can have. Therefore, in this paper, we will study the essence and characteristic of festivals as humans'typical play culture and public culture by looking around and discussing Korean masque play with carnival theory. And it should be understood in the way to confirm the diachronic commonness of Korean festival culture through the current various interest and movement aimed at reviving festival culture. According to carnival theory, Korean masque play can be characterized as inverted world,grotesque realism, carnivalization of languages, amusing element of festivals, public laughter and utopian ideal.
참고문헌 (25)
- 김 면, "독일 사육제와 가면놀이", 비교민속학, 19 (2000), 비교민속학회
- 김미성, "축제로 융화되는 민속신앙과 기독교- 프랑스외 '니스 카니발'을 중심으로 -", 한국프랑스학논집, 47, pp.389~410 (2004), 한국프랑스학회
- 김미성, "축제와 환상", 한국프랑스학논집, 52, pp.303~322 (2005), 한국프랑스학회
- 김형식, "신명풀이 미학의 희극적 카니발적 구성원리", 독어교육, 38(38), pp.273~306 (2007), 한국독어독문학교육학회
- 류정아, "축제의 연행론적 분석", 한국프랑스학논집, 47, pp.159~178 (2004), 한국프랑스학회
- 위미숙, "가면극의 해학성 연구", 서강어문, 6 (1988), 서강어문학회
- 임호준, "그로테스크 육체:니에바와 알모도바르의 그로테스크 리얼리즘", 서어서문연구, 17 (2000), 한국서어서문학회
- 유종목, "한국 민속 가면극 대사의 표현법 연구", 석사, 국어국문학과, pp.1973
- 윤선자, "프랑스 근대 사회에서의 카니발 축제의 변화", 역사민속학, 14, pp.281~300 (2002), 한국역사민속학회
- 전성희, "한국의 가면극과 그로테스크 - 양주 별산대, 봉산탈춤, 가산 오광대를 중심으로", 드라마연구, 27 (2007), 한국드라마학회
- 허용호, "가면극의 축제극적 구조-봉산탈춤을 중심으로", 한국민속학, 36 (2002), 한국민속학회
- 김욱동, "탈춤의 미학" (1994), 현암사
- 김일출, "선민속탈놀이연구" (1958), 과학원출판사
- 서연호, "서낭굿탈놀이" (1991), 열화당
- 서연호, "산대탈놀이" (1987), 열화당
- 성현경, "한국옛소설론" (2005), 새문사
- 여홍상, "바흐친과 문화 이론" (1995), 문학과 지성사
- 윤선자, "축제의 문화사" (2008), 한길사
- 이두현, "한국의 가면극" (1992), 일지사
- 이상일, "놀이문화와 축제" (1988), 성균관대학교 출판부
- 전경욱, "한국의 전통연희" (2004), 학고재
- 전경욱, "한국의 가면극" (2007), 열화당
- J. 호이징하, "호모 루덴스:놀이와 문화에 관한 한 연구" (1999), 까치
- 바흐찐, "프랑수아 라블레의 작품과 중세 및 르네상스의 민중문화" (2004), 아카넷
- 하이비 콕스, "바보제:축제와 환상의 신학" (1980), 현대사상사