민화 소상팔경도(瀟湘八景圖)와 소상팔경가(瀟湘八景歌)의 영향 관계 - 화제(畵題) 변용과 새로운 도상(圖像)의 출현을 중심으로 -

Abstract

Minhwa the paintings of the eight views of xiao xiang river is depicted in 20 topics that have been expanded and adapted in addition to Mountain temple in Clearing Mist(山市晴嵐), Evening Bell From Mist-Shrouded Temple(煙寺暮鐘), Fishing Village in Twilight Glow(漁村落照), Returning Sails off Distant Shores(遠浦歸帆), Night Rains at Xiao xiang River(瀟湘夜雨), Wild Geese Descending to Sandbar(平沙落雁), Autumn Moon over Lake Dongting(洞庭秋月) and River and Sky in Evening Snow(江天暮雪). These topics are related to the eight views of xiao xiang river, which was called "The song of the Eight Views of Xiao xiang River" in the late Joseon Dynasty. It also reflects the history of ibigosa((二妃故事) and related geographical names related to the Xiao-xiang area. First of all, Hansamojong(寒寺暮鐘) is a topic drawn mainly in place of Yeonsamojong (煙寺暮鐘) among the eight scenic spots. <Hansa seedling> is a poem by JangGye(張繼) of the contemporary era, "Pungyoyabak(楓橋夜泊)" as a topic of poetry. In the late Joseon Dynasty, due to his aspiration for Gangnam, China, he loved the poems of Jang-Gye, who wrote about the Gangnam region. Due to the influence of these cultural phenomena, “Hansamojong” was sung instead of “Yeonsamojong” in Sosang Eightyeongga. There are not a few examples of painting <Hansamojong> instead of <Yeonsamojong> in Minhwa The paintings of the Eight Views of Xiao xiang River. This is the point that distinguishes the he paintings of the Eight Views of Xiao xiang River from the previous period. The change of Xiaoxiangyau(瀟湘夜雨) among the eight scenic spots of Xiao xiang confirms the new aspect of the Minhwa the paintings of the eight views of xiao xiang river. Until the previous period, Xiaoxiangyau had reported the Ibigosa, but in the actual painting, it was to the extent that ‘rainfall on the river in Xiaoxiang’ was embodied. However, in Minhwa the paintings of the eight views of xiao xiang river the narratives of Ibigosa are Sosangjukrim(瀟湘竹林), Juksayawoo(竹祠夜雨), Sosangdough(瀟湘斑竹), Hwangreungyawoo(黄陵夜雨), Hwangneungaewon(黄陵哀怨), It has been expanded to titles such as Hwangneungje-gyeon(黄陵啼鵑) and Changohmoun(蒼梧暮雲). In other words, these topics emerged as the emphasis on the Ibigosa, represented by the sad love and fidelity of the pure king, the two Bi Ahwang, and Yeo-young, developed with the emergence of a new icon. In the work, bamboo, symbolized as dough (斑竹) due to ibi's bloody tears, was drawn on the entire screen. Also, in the Minhwa the paintings of the eight views of xiao xiang river the figure of the pure king who died in Chang-o(蒼梧) after leaving Hwangneung tomb and Namsoon, the shrine of ibi, was expressed as an important motif. The lyrics ‘Hwangreungmyo is quiet, but the two dogs cry sadly’, which were sung like a boilerplate when singing about the small-sized area in the performance, was visualized as ‘two dogs crying while looking at each other’ in the picture. The eight views of xiao-xiang river has been a sanction for poetry and paintings for a long time. However, after the late Joseon Dynasty, the eight views of xiao-xiang river were enjoyed as Korean poetry such as Pansori, Danga, and Japga, and as a result, it became popular as a culture enjoyed by the general public as well as the man of letters.. Minhwa the paintings of the eight views of xiao xiang river is a work that reflects this enjoyment culture. In Minhwa the paintings of the eight views of xiao xiang river, the standardized topic was drawn in various ways, and a new icon that was not seen in the previous period appeared. In this way, the minhwa the paintings of the eight views of xiao xiang River is a painting that reflects the changed modern cultural phenomena, and is meaningful in that it expresses a different xiao xiang culture(瀟湘文化) from the previous period.