조선 초기 소상팔경도에 대한 고찰

Abstract

≪Bihaedang Sosang Palgyeong Sicheop匪懈堂瀟湘八景詩帖≫, Album of Poems for the Eight Views of XiaoXiang, was commissioned by Prince Anpyeong and mainly painted by Angyeon. And it is considered as a paragon of the production of poetry and painting along with the <Dream-journey to the Paradise of the Peach Blossom Land夢遊桃源圖> in the early Joseon dynasty. This poem album, produced in 1442, originally consists of poems and paintings of the <Eight Views of XiaoXiang paintings>, however, only a form of poem album is transmitted. It is assumed that a painter of the <Eight Views of XiaoXiang paintings> in ≪Bihaedang Sosang Palgyeong Sicheop≫ is Angeyon. Angeyon, the greatest painter in the early Joseon dynasty, established his own painting style and influenced greatly on later paintings. Furthermore, there is evidence that implies many of the existing Eight Views of XiaoXiang paintings from the early Joseon period were attributed by Angyeon. 'A poetry of depicting Eight views', produced by Ninzong of the Southern Song dynasty, inspired on the ≪Bihaedang Sosang Palgyeong Sicheop≫. 「A poetry of depicting Eight views」 by Ninzong of the Southern Song dynasty changed orders of describing the Eight views. And it is believed that this change influenced the styles of Eight Views of XiaoXiang in the early Joseon period. <Eight Views of XiaoXiang paintings> of ≪Bihaedang Sosang Palgyeong Sicheop≫, possibly attributed by Angyeon, also followed the styles of Ninzong and this style influenced later versions of Eight Views of XiaoXiang as well. <Eight Views of XiaoXiang painting>, owned by past Yuhyeon Studio幽玄齋 seems to have great relevance to 《Bihaedang Sosang Palgyeong Sicheop》. It coincides with 'A poetry of depicting Eight views' of Ninzong in terms of depicting topics of scenary and placing the paintings in sequence. The idea of depicting 'Eight Views', each painting has independent theme yet it is all organically connected, is correspond to the contents of 《Bihaedang Sosang Palgyeong Sicheop》. Also, each content of the <Eight Views of XiaoXiang painting> follows the description of Ninzong's 'A poetry of depicting Eight views' relatively well. <Eight Views of XiaoXiang paintings>, possessed by past Yuhyeon Studio, has many similarities between paintings of Li-Guo Style李郭派, from the Northern Song dynasty to the Ming dynasty. Moreover, its themes and styles of depiction indicate <Dream-journey to the Paradise of the Peach Blossom Land> of Angyeon. Therefore, it seems that <Eight Views of XiaoXiang>, possessed by past Yuhyeon Studio, was inspired by ≪Bihaedang Sosang Palgyeong Sicheop≫, possibly attributed by Angyeon. Different versions of <Eight Views of XiaoXiang paintings> and landscapes from the early and the middle of the Joseon dynasty have many similarities to <Eight Views of XiaoXiang>, possess by past Yuhyeon Studio. It indicates that ≪Bihaedang Sosang Palgyeong Sicheop≫ is the example of <Eight Views of XiaoXiang paintings> of Angyeon and the his painting inspired on later paintings greatly. If the interrelationship between ≪Bihaedang Sosang Palgyeong Sicheop≫ and <Eight Views of XiaoXiang painting>, possessed by past Yuhyeon Studio, is more clearly identified, it may be possible to acquire related information to identify the <Eight Views of XiaoXiang> of Angyeon, disappeared. Furthermore, it can be expected to accomplish detailed analysis and better understand in regard to influence of Eight Views of XiaoXiang of Angyeon to later paintings and process of Eight Views of XiaoXiangin the early Joseon.