소고잽이로 보는 농악의 성격과 위상 소고잽이로 보는 농악의 성격과 위상

Abstract

This article begins with the idea that the formation and play of Sogojabi can have a certain effect on the characteristics and status of Nongak, which can be divided into two parts: Sogojabi and Chaesangsogojabi. Sogojabi's play was divided into Sogo dance in Pan-gut and Sogo play as a personal play. First of all, the shape and scale of Sogojabi in each area have been reviewed. Based on the summarized contents, the scale and the form of Sogojabi play were confirmed, and in the case of Sogojabi Nongak. It was seen as Nongak developed in the form of Pan-gut rather than Durepungjang or village gut. Next, the relationship between the form of Sogo-Jap-Yi and the nature of play was examined, and the nature of the wind-on-the-mosque technique through the agricultural simulation tended to be strongly revealed in the Nongak where the Gokkkal-so-Jap-Yi was organized. It was identified that the Nongak, organized by Chae Sang Sogo Jabi, was transformed into a terrifically excellent form of Nongak due to the influence of professional groups or outsiders. Sogo jabi has a strong view of dance and play as a performer to this day, and it has been recognized that the size and form. Sogo jabi has a certain influence on the nature and status of Nongak.