한중 가면극 파계승과장의 특징과 의미 비교 연구 -봉산탈춤의 노장춤과 호북성(湖北省) 조양시(棗陽市)의 대두화상희류취(大頭和尚戲柳翠)를 중심으로-

Abstract

In both Korean and Chinese mask dances, it is common to see theatricalized versions of pasgye-seung, such as “Nojang Dance” in Bongsan Talchum and “Daeduhwasang Heeryuqu” in Zaoyang City, Hubei Province, China. The first mention of pasgye-seung in a Korean mask dance is in Yuduk-gong's Manseokjung Dance of Seonggijo in his “Gyeongdojapji”. In “Chu Jae Gii” and “Haedong Jukji”, it is stated that the monk is Jijokseonsa and the gisaeng is Hwang Jin. The figure of the Nojang of the Bongsan Mask Dance is dressed in a gray robe and red gassa, with a songnak on his head, a yunhoejang in his hand, and a long prayer bead around his neck. The narrative of the dance is that the Nojang appears, finds and seduces the young woman, dances with her, and buys her shoes, but then Chwibari appears, chases Nojang away, and takes the young woman. Over time, the Korean Nojang Dance has been passed down as one of the many tropes of mask dance by professional troupes. Through its humorous expressions, Nojang Dance criticizes the aposate monks and characterizes the role of byeoksachugyeok. The earliest records of “Daeduhwasang Heeryuqu” can be found in Song Dynasty mudae. During the Ming and Qing dynasties, a form of theater called Daeduhwasang Heeryuqu was practiced in both private and court settings.　The Daeduhwasang is dressed in a robe with a mask on its head, white sandals on its feet, and a prayer bead around its neck. The narrative of Daeduhwasang Heeryuqu in Zaoyang City, Hubei Province, tells the story of Ryuqu's fascination with Daeduhwasang. The Daeduhwasang Heeryuqu is closely related to Seshi customs, and has become an integral part of the traditional customs, sahwa. In the process of performing, he criticized the aposate monks of thought through satirical expressions. In addition, it is connected to the long-standing perspective of Confucianism, expressing social dissatisfaction, but also expressing the people's desire for freedom and liberation of thought.