<황운전>에 나타난 서사 관습의 변용 양상과 의미

Abstract

This research reviewed the constructive characteristics of Hwang Un Jeon from a perspective of genre customs of the heroin novel. First, Hwang Un Jeon can be categorized into a heroic novel based on a story about a family collapsed by antagonist, where downfall circumstances of the family are seriously developed in respect of only narrative setting. Nonetheless, although this type of works mostly emphasizes revengeful thoughts on antagonist, focusing on reunion of dispersed family members for the core of narration, Hwang Un Jeon put more emphasis on loyalty to the country rather than revengeful thoughts, and a national crisis and weathering it rather than reunion of dispersed family members. On the other hand, Hwang Un Jeon deals with alliance stories of women superior to men. In this type of works, it is common that women come into conflict with men on the contrast between their own sexual identity and ability superiority. Unlike this, Hwang Un Jeon is convergent into a process that overcomes a national crisis, not developed into a conflict between man and woman. As such, Hwang Un Jeon attenuates family narratives to develop a narrative-oriented national crisis and conquest of it, and modifies alliance stories between man and woman. This type of narratives of Hwang Un Jeon has its significance in terms of many different experiments in a creative way of heroin novel. Creative diversity in a genre novel like heroin novel relies on not deviation from genre but utilization of it, specifically, familiar but new different one, not something new. In this respect, as well as recomposing and modifying expected anticipation into the narrative of the nation notwithstanding accepting specific forms of heroin novel, such consistency of the modification is understood as a characteristic aspect of creation of Hwang Un Jeon.