洪世泰 後期 시의 杜詩風攷

Abstract

While witnessing the rise and fall of the Tang Dynasty, Du FU(a Chinese classical poet) has focused on reflecting the evils and popularity of society through a vast volume of 1,400 poems. His poetry is well-known as "poetic history" for its the characteristics of the times and sociality. His impassioned creative style with realism stems from his origins. His lifelong underappreciated talent and unfortunate fate are reflected in his lifelong practice of Confucian ideas to constantly improve his personality. In the late Joseon Dynasty, Hong Se-tae, who established the literature hall of Yeohang writers, was also able to observe the times with a critical eye because of all the fortunes and misfortunes he experienced while constantly attempting to rise in status of jung-in(Middle Echelon in Chosen). Du FU and Hong se-tae, The batch comparison of the two poets secures the contact point in the above-described aspect. Hong se-tae, In his later years, his creations were mainly lyrical. Compared with the change in his creative style, it is better to say that this change is a manifestation of his hatred and renunciation of this life. At the same time, the deep reason why he chose to inherit Du Fu's poetry was that Du Fu was good at creating a style of tragic creation in the external environment. From an emotional point of view, the style represented by Du Fu is depression and frustration in artistic conception. The difference is that he pays attention to expressing his emotions in a controlled manner on the level of self-expression(wigok), the true feelings in the natural environment(dioramic), and the expression of grief and anger. This research discusses Hong se-tae’s later poems from the above context. From the perspective of artistic conception, he examines the actual cases of Du Fu's poems for reference.