중국문학과 노벨문학상의 의미적 해석 - 가오싱젠(高行健)과 모옌(莫言)을 중심으로 -
Invitation to Nobel Prize in Literature for the Chinese Literature
0
조회
0
다운로드
7
인용
0
참고문헌
키워드
초록
There was an event that not only created a huge wave in the Chinese literary ideology, especially in the history of the Chinese modern literature of the last century, but also caused a significant sensation around the world. It was none other than the receiving of the Nobel Prize in Literature by Gao Xingiian, which was followed by another wave a decade later of receiving of the Nobel Prize in Literature by Mo Yan. In some ways, it was the unprecedented event in the history of the Chinese literary ideology. It was truly a shocking event that Chinese people became the consecutive recipients of the world-renowned Nobel Prize in Literature. It raised a controversy that there were impure political intentions behind such receipts even though its significance should be placed on the receiving of the Nobel Prize in Literature itself. The reason was because the receiving of the Prize by the two writers, Gao Xingiian and Mo Yan, has different interpretative meanings even though the both are Chinese. Accordingly, the purpose of this study is to analyze the literary significance of their receiving of the Nobel Prize in Literary, as well as their respective literary works, and analyze their literary and political significances to reexamine the significance of the Nobel Prize in Literature.
Abstract
There was an event that not only created a huge wave in the Chinese literary ideology, especially in the history of the Chinese modern literature of the last century, but also caused a significant sensation around the world. It was none other than the receiving of the Nobel Prize in Literature by Gao Xingiian, which was followed by another wave a decade later of receiving of the Nobel Prize in Literature by Mo Yan. In some ways, it was the unprecedented event in the history of the Chinese literary ideology. It was truly a shocking event that Chinese people became the consecutive recipients of the world-renowned Nobel Prize in Literature. It raised a controversy that there were impure political intentions behind such receipts even though its significance should be placed on the receiving of the Nobel Prize in Literature itself. The reason was because the receiving of the Prize by the two writers, Gao Xingiian and Mo Yan, has different interpretative meanings even though the both are Chinese. Accordingly, the purpose of this study is to analyze the literary significance of their receiving of the Nobel Prize in Literary, as well as their respective literary works, and analyze their literary and political significances to reexamine the significance of the Nobel Prize in Literature.
참고문헌 (36)
- 강경구, "高行健 노벨 문학상 수상의 중국적 해석", 중국어문학, (45), pp.73~98 (2005), 영남중국어문학회
- 김언하, "전기(傳奇)적 세계를 통해 바라본 중국 민중의 에네르기", 중국현대문학, 2(27), pp.309~322 (2003), 한국중국현대문학학회
- 사뮈엘 베케트, "고도를 기다리며" (2000), 민음사
- 유영하, "고행건의 노벨 문화상", 중어중문학, 28 (2001), 한국중어중문학회
- 이규일, "노벨상이 고달파, 모옌의 ≪생사피로(生死疲勞)≫", CHINDIA journal (2012), 포스코경영연구소
- 이욱연, "중국인 디아스포라와 高行健의 문학", 중국어문학지, (14), pp.383~402 (2003), 중국어문학회
- 이욱연, "중국문학으로 가는 길", 창작과비평, 33 (2005), 창비
- 이정인, "‘이방인’과 ‘국가인’의 경계에 선 가오싱젠(高行健) ― 망명 이후 희곡작품을 중심으로", 중국현대문학, 4(43), pp.185~213 (2007), 한국중국현대문학학회
- 임광애, "高行健 연구", 비교문학, 28, pp.283~322 (2002), 한국비교문학회
- 임대근, "‘붉은 수수밭’ : 모옌(莫言)과 장이머우(張藝謀) 혹은 소설과 영화에 관한 어떤 탐구", 중국연구, 36, pp.155~170 (2005), 중국연구소
- 장희재, "가오싱젠(高行健) 언어표현기법 연구― 80년대 희곡을 중심으로", 중국어문학논집, 6(66), pp.439~466 (2011), 중국어문학연구회
- 전형준, "현대중국문학의 이해" (1996), 문학과 지성사
- 한혜경, "고행건의 희곡 「버스정류장」(車站)의 연극적 기법", 중어중문학, 33, pp.679~710 (2003), 한국중어중문학회
- 홍석표, "중국현대문학사" (2009), 이화여자대학교 출판부
- 贾利涛, "莫言小说的历史观", 大家, (5) (2010)
- 李文轩, "诺奖得主为什麽是莫言?", 现代班组, (1) (2012)
- 李迎丰, "福克纳與莫言:故乡神话的構建與阐释", 解放军外国语学院学报, (1) (2002)
- 莫言, "莫言與语文教育虚伪的教育", 语文学习, (11) (2012)
- 王金城, "理性处方:莫言小说的文化心理诊脉", 北方论丛, (1) (2002)
- 王保中, "莫言小说的魔幻现实主义风格", 中国现當代文学, pp.2008
- 王娟, "莫言小说與民间叙事从 ≪檀香刑≫到 ≪生死疲劳≫看莫言的创作转型", 现當代文学, pp.2007
- 王玉琴, "今日大笔在手 莫言巨奖迟来——中国作家首获诺奖的时代意义", 四川教育, (11) (2012)
- 王源, "莫言茅盾文学奖获奖作品≪蛙≫研讨会综述", 东岳论丛, (11) (2011)
- 丛新强, "人,在历史與伦理的漩涡中论莫言的长篇小说≪蛙≫", 时代文学, (17) (2012)
- 劉心武, "瞭解高行健" (2000), 開益出版社
- 刘清虎, "高密东北乡與莫言的生命哲学莫言小说创作论", 辽宁行政学院学报, (9) (2010)
- 吴耀宗, "轮回․暴力․反讽:论莫言≪生死疲劳≫的荒诞叙事", 东岳论丛, (11) (2010)
- 巴俊玲, "论莫言小说中高密东北乡的神秘氛围", 时代文学, (11) (2008)
- 孙晓斌彭莉萍, "浅谈莫言小说的魔幻现实主义色彩", 武汉冶金管理干部学院学报, (4) (2012)
- 张清华, "莫言與新历史主义文学思潮--以≪红高粱家族≫、≪丰乳肥臀≫、≪檀香刑≫", 海南师范学院学报, (2) (2005)
- 张灵, "莫言小说中的"复调"與"对话莫言小说的肌理與结構特征研究", 江汉大学学报, (3) (2010)
- 张连湖, "莫言的艺术自由想象力的飞扬", 时代文学, (12) (2010)
- 旷新年, "莫言的≪红高梁≫与"新历史小说"", 杭州师范学院学报, (4) (2005)
- 谢稚, "从莫言获诺贝尔文学奖看中国文化的海外传播", 理论月刊, (12) (2012)
