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오규원의 시적 방법론과 시세계

The methodology of writing poetry and the world of poems of Oh Gyu Won

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주제분류한국어와문학

초록

This thesis has accounted for the aestheticworld of poems of the poet Oh Gyu Won via looking into his methodology of writing poetry. The outcome of the account is as follows: First, Oh Gyu Won is the poet with the sensitive self-consciousness of the methodology of writing poetry. He rigorously established his own theory of poetry. And he wrote poems as a work to practice his theory of poetry. His poem reveals the object transparently going beyond established conception. Secondly, the centre of the poems of Oh Gyu Won is the spirit of negation. The spirit of negation is the basis for his methodology of writing poetry. The spirit of negation aims at reaching the essence of the object through deconstruction of conception. Such an effort derives from the consciousness to disclose the phenomena of the world with transparent image. Thirdly, for Oh Gyu Won, it is impossible to express the object clearly if one relies only upon metaphoric thought. For this belief, he attempts to acquire transparency of the object through metonymy. This is because metonymy enables the poet to express the objects that exist vividly. Fourthly, Oh Gyu Won’s poems express the phenomenon of being through living images. It is the attitude to see being in terms of its horizontal correlation without regard to difference or distinction. With this attitude, the poet sees the liveliness of the objects from the non-anthropocentric point of view. Therefore, hispoems are the records of pure images which are living.

Abstract

This thesis has accounted for the aestheticworld of poems of the poet Oh Gyu Won via looking into his methodology of writing poetry. The outcome of the account is as follows: First, Oh Gyu Won is the poet with the sensitive self-consciousness of the methodology of writing poetry. He rigorously established his own theory of poetry. And he wrote poems as a work to practice his theory of poetry. His poem reveals the object transparently going beyond established conception. Secondly, the centre of the poems of Oh Gyu Won is the spirit of negation. The spirit of negation is the basis for his methodology of writing poetry. The spirit of negation aims at reaching the essence of the object through deconstruction of conception. Such an effort derives from the consciousness to disclose the phenomena of the world with transparent image. Thirdly, for Oh Gyu Won, it is impossible to express the object clearly if one relies only upon metaphoric thought. For this belief, he attempts to acquire transparency of the object through metonymy. This is because metonymy enables the poet to express the objects that exist vividly. Fourthly, Oh Gyu Won’s poems express the phenomenon of being through living images. It is the attitude to see being in terms of its horizontal correlation without regard to difference or distinction. With this attitude, the poet sees the liveliness of the objects from the non-anthropocentric point of view. Therefore, hispoems are the records of pure images which are living.

참고문헌 (20)

  1. 오규원, "현실과 극기" (1976), 문학과지성사
  2. 오규원, "언어와 삶" (1983), 문학과지성사
  3. 오규원, "가슴이 붉은 딱새" (1996), 문학동네
  4. 오규원, "오규원 시 전집 1ㆍ2" (2002), 문학과지성사
  5. 오규원, "새와 나무와 새똥 그리고 돌멩이" (2005), 문학과지성사
  6. 오규원, "날이미지와 시" (2005), 문학과지성사
  7. 김동원, "물신 시대에서 살아남기 위하여 in: 오규원 깊이 읽기" (2002), 문학과지성사
  8. 김병익, "물신 시대의 시와 현실 in: 왕자가 아닌 한 아이에게』해설" (1978), 문학과지성사
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  10. 김진희, "출발과 경계로서의 모더니즘 in: 오규원 깊이 읽기" (2002), 문학과지성사
  11. 김치수, "경쾌함 속의 완만함 in: 『이 땅에 씌어지는 서정시』해설" (1981), 문학과지성사
  12. 김현, "무거움과 가벼움 in: 가끔은 주목받는 생이고 싶다』해설" (1987), 문학과지성사
  13. 문혜원, "오규원의 시론 연구 in: 20세기 한국시론 1ㆍ2" (2006), 글누림
  14. 신덕룡, "우주의 숨결과 함께하기 in: 오규원 깊이 읽기" (2002), 문학과지성사
  15. 이광호, "에이론의 정신과 시쓰기 in: 오규원 깊이 읽기" (2002), 문학과지성사
  16. 이남호, "날이미지의 의미와 무의미 in: 오규원 깊이 읽기" (2002), 문학과지성사
  17. 정과리, "안에서 안을 부수는 공간 in: 오규원 깊이 읽기" (2002), 문학과지성사
  18. 최현식, "시선의 조응과 그 깊이, 그리고 ‘몸’의 개방 in: 오규원 깊이 읽기" (2002), 문학과지성사
  19. 황현산, "새는 새벽 하늘로 날아갔다 in:『길, 골목, 호텔, 그리고 강물 소리』해설" (1995), 문학과지성사
  20. 모리스 메를르-퐁티, "현상학과 예술" (1983), 서광사

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