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기호학적 관점에서 본 Sandra Backlund 작품에 나타난 조형성 연구

The Formativeness Study of Sandra Backlund's Works from a Semiotic Perspective

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초록

After considering a concept and character of semiotics, the formative study would be analyzed by syntax, semantics and practicality of Charles Morris's semiotics progress. According to a theoretical and empirical study, the formativeness of Sandra Backlund's works is analyzed from a semiotic perspective. The design qualification from a semiotics perspective must be interdependent by the format of syntax, contents of semantics and function of practicality. Thus, it must be comprised in relevance of human-body and clothing, or fundamentals and components of design, which all based on aesthetics. It must be considered as design contents about communication and meaninng delivery to symbol and as clothing design about a physical functionality ; body-movement, comfort, protection and put-on and off. These are to be the condition of clothing design. The works of Sandra Backlund have been interdependent and designers who makes a semiotics of clothing will complete a semiotics regarding to format, contents and function.

Abstract

After considering a concept and character of semiotics, the formative study would be analyzed by syntax, semantics and practicality of Charles Morris's semiotics progress. According to a theoretical and empirical study, the formativeness of Sandra Backlund's works is analyzed from a semiotic perspective. The design qualification from a semiotics perspective must be interdependent by the format of syntax, contents of semantics and function of practicality. Thus, it must be comprised in relevance of human-body and clothing, or fundamentals and components of design, which all based on aesthetics. It must be considered as design contents about communication and meaninng delivery to symbol and as clothing design about a physical functionality ; body-movement, comfort, protection and put-on and off. These are to be the condition of clothing design. The works of Sandra Backlund have been interdependent and designers who makes a semiotics of clothing will complete a semiotics regarding to format, contents and function.

참고문헌 (21)

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  2. 김민자, "예술로서의 의상디자인-인상주의와 의상", 대한가정학회지, 27(2), pp.4~ (1986)
  3. 소두영, "기호학", pp.19~20 (1996), 인간사랑
  4. 박영원, "디자인기호학", pp.33~ (2001), 청주대학교출판부
  5. 김경용, "기호학이란 무엇인가", pp.20~ (1998), 민음사
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  7. 소두영, "기호학", pp.416~ (1996), 인간사랑
  8. 김치수, "현대기호학의 발전", pp.74~ (1998), 서울대학교출판부
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  10. 소두영, "기호학", pp.53~ (1996), 인간사랑
  11. 소두영, "상징의 과학 기호학", pp.61~ (1992), 인간사랑
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  13. 서승미, "현대 예술의상에 표현된 조형성의 텍스트 분석", 박사, pp.2004
  14. Valerie Steele, "Fifty Years of Fashion", pp.12~ (1997), Yale Univ. Press
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  16. Mode et Mode, "Mode et Mode Sha", 274~ (1991)
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  18. UPA, "Collezioni Bis", 245~ (1996)
  19. John W, Masury, "Art and Mode", pp.131~ (1998), Cartwright Press
  20. Charls Morris, "Foundation of the Theory of sign" (1979), Univ. of Chicago Press
  21. 유송옥, "복식의장학", pp.200~ (1999), 수학사

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