張潮의 假傳作品 「楮先生傳」 硏究

Abstract

Fake biography literature is a biographical form of writing that chronicles a person's life through the personification of objects. The biographical style borrows the form of a historical biography and records the life of the protagonist. The writing appears to be sincere as if reading a biography of the main character. The fake biography began with Han-yu's "MaoYingZhuan" in the Tang Dynasty, which is a filial poem. Subsequently, many writers created works based on objects to describe family relations. Their work mimics the characteristics and form of a character, which include a family tree, the main character's history, and the final verdict format. Sometimes the writers use historical figures or stories, and also employ implied methods to enhance the didactic effect. In particular, the Four Treasures of Study has been an important candidate in the literature of fake biography writing and is considered a must for reading for writers. Among the Four Treasures of Study are papers considered anthropomorphic works such as WenChong's “HaoZhiHouChuZhiBaiZhuan” of the Tang Dynasty and MinWenZHen's “ChuDaiZhiZhuan” as well as “ChuXianShengZhuan” of the Ming Dynasty. This paper examines An Overview of the Chinese Fake Biography and attempts to better understand the contents and meanings of ZhangChao's ChuXianShengZhuan of the Qing Dynasty among paper-based fake biography. In addition, the similarities and differences are considered in terms of the contents of WenChong's “HaoZhiHouChuZhiBaiZhuan” and MinWenZHen's “ChuDaiZhiZhuan”. In the Fake biography literature, Ming Dynasty was the most developed, emphasizing the amusement of literature. Because of the development of textual criticism in the early days, the critical view of playful sentences led to the decline of the course.ZhangChao's “ChuXianShengZhuan” is listed in “XinZhaiLiaoFuJ”i.