原子力の「過去」・「現在」・「未来」 -占領期児童文化における原子力表象-
Representations of “Atom” in Children Culture during the Occupation Period
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전후 일본에서는 원자력과 원자폭탄을 둘러싸고 다양한 문화표상이 생성되어왔다. 본 논문은 그 중에서도 전후 원자력표상의 기원에 위치하는 점령기에 착안하여, 특히 아동문화에 있어서의 원자력표상의 계보를 밝히는 것을 목적으로 한다. 점령기에는 GHQ의 검열체제로 인해 히로시마・나가사키에서의 피해 실상이 가려져 피해자의 ‘현재’가 불가시화 된 한편, 원자력 의 평화이용이 과학자를 중심으로 상당수 주장되어 원자력은 ‘미래’의 인류사회 발전과 진보를 가져올 최첨단 과학으로서 자리 잡았다. 또한, 원자력에너지의 유용성을 주장할 때 종종 히로시마・나가사키 원폭투하라는 ‘과거’가 이용되었다. 이러한 ‘과거’・‘현재’・‘미래’라고 하는 세 가지 시간의교착 속에서 원자력은 점령기 아동문화영역에서 ‘평화이용’과 ‘군사이용’을둘러싼 다양한 문화표상을 생성하였다. 본 논문은 당시의 검열제도와 과학교육정책, 히로시마・나가사키 피폭경험이라는 사회적・문화적 문맥을 전제로 하여, 이렇게 중층적으로 구성된 원자력을 둘러싼 표상에 대해 아동대상 과학서적, 아동소설・만화, 작문집 등을 대상으로 밝혀나갈 것이다.
Abstract
The purpose of this paper is to examine how the discourse and image of “atoms” were generated in Japan during occupation period, focusing on children’s magazine and comics. As is well known, Supreme Commander for the Allied Powers (SCAP) censored mass media and various publications during occupied period, which CCD(Civil Censorship Detachment)was mainly in charge of. Especially, the information about atomic disaster in Hiroshima and Nagasaki was strictly censored. Therefore, the most Japanese didn’t know how atomic bombs gave serious damage to the people in Hiroshima and Nagasaki in occupied period. But, the discourse of “atoms”, especially “atoms for peace” was widely spread, not only in mass media and science magazine but even in children’s magazine from the beginning of occupied period, prior to Eisenhower's famous “atoms for peace” speech. This played an important role for children to consider “atoms” as the front-line scientific technology that would make civilized society more progress. On the other hand, we can see different images of “atoms” in popular culture for children. In most of them, “atom” connoted and symbolized an incredible power of protagonists who were named literally “atom the superman” and “atomic boy”. Thus the power of atom was completely justified in these works even though protagonist sometimes uses atomic bomb to defeat evil people. Considering many atomic bomb victims in Hiroshima and Nagasaki, these works seem a little bit ridiculous and not ethical. This paper will clarify how these representations of atoms, disconnected with atomic disaster, flourished in children’s culture during occupied period in the context of SCAP’s occupation and censorship, and the belief of science in the education of children.
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