무라카미 하루키(村上春樹)의 성장소설 연구－‘나’의 콤플렉스를 중심으로－

Abstract

The focal point in the figures in the Haruki Murakami's work is mainly college students or adult males. In early works, especially as we can see the same person, a boy and a college student in the 30s as a speaker's recollections appeared. Character 'boku(I)', except that one is not interested in their situation passively by, but one complaint to the reality, no hope for the future rather than settle for the days' and the reality of living with integrity as a man of middle class appeared. In addition, there is no personality features worth mentioning, most of the other characters 'boku' because it is focused on the conflict does not exist in the work. The father in his novel, the existence and antithesis, the mother suggests the need to go back to the uterus, which appeared in the background of the wells and the female protagonist of the chest containing a metaphor that can be said to envy. Here the father of industrial society in the 1970s, after the symbolic meaning of democracy, but the beginning of her pregnancy, and its own means, and in that sense, the work of Haruki need to get back where we could continue to present is considered. Haruki phase so that the male and human children is plagued by complex, important, or what these figures show is that it does not. But with this complex character in one piece after a whirlwind trip to return to reality - it is also the only one - Star Wars fantasy novel form, the hero-worships hero emerged as a unique and would not look like that is true. But such heroism than the 'wall' against against 'egg' and the universal and the weak man and the life course to portray that the artist wishes to portray the human sangyirago can do it since 2000, Haruki salient features of one of In situated can see. At future challenges of 'a return to motherhood' expanded, with the egg and the avoidance of pregnancy, scarred uterus, and genetic problems, the denial of being the Father of study is about.