본문 바로가기
KERD
논문KCI 등재

글로컬 문화콘텐츠로서의 무라카미 하루키 문학 -2000년 이전을 중심으로-

Murakami Haruki’s Literature as Global Cultural Contents -Focusing on his literary work before the year 2000-

2

조회

0

다운로드

1

인용

0

참고문헌

키워드

주제분류일본어와문학

초록

In this study, it was argued that the reason for acceptance of the works of Murakami Haruki by global readers was because his novels had been consumed as global cultural contents, and to substantiate this, the commonalities between the characteristics of subculture at each era and his novels before the year 2000 were elucidated. Of course, this study does not assert that Murakami Haruki has become a world-class novelist only with such subcultural elements, ignoring the subjects and quality of his novels. He has covered diverse subjects since his early works. Particularly, since 1995, Murakami has opened his eyes to social problems, even discussing the responsibility of Japan for the history of war, and he has been fulfilling his responsibility as a global novelist. It cannot be denied that these diverse elements have been a crucial prop for the universality of Murakami’s literature. However, behind his universality, Murakami himself notably perceived subculture, the culture of young generations, and it appears that he could attract young readers successfully by adopting this in his work. Even as he is becoming older, he still writes novels with young protagonists. This is possible due to his efforts and challenging spirit not to lose the sense of young generations. Such maintenance of the fresh sense must be the origin of vital energy of his work that enables his creative activities to continue for over 40 years constantly without stagnation.

Abstract

In this study, it was argued that the reason for acceptance of the works of Murakami Haruki by global readers was because his novels had been consumed as global cultural contents, and to substantiate this, the commonalities between the characteristics of subculture at each era and his novels before the year 2000 were elucidated. Of course, this study does not assert that Murakami Haruki has become a world-class novelist only with such subcultural elements, ignoring the subjects and quality of his novels. He has covered diverse subjects since his early works. Particularly, since 1995, Murakami has opened his eyes to social problems, even discussing the responsibility of Japan for the history of war, and he has been fulfilling his responsibility as a global novelist. It cannot be denied that these diverse elements have been a crucial prop for the universality of Murakami’s literature. However, behind his universality, Murakami himself notably perceived subculture, the culture of young generations, and it appears that he could attract young readers successfully by adopting this in his work. Even as he is becoming older, he still writes novels with young protagonists. This is possible due to his efforts and challenging spirit not to lose the sense of young generations. Such maintenance of the fresh sense must be the origin of vital energy of his work that enables his creative activities to continue for over 40 years constantly without stagnation.

참고문헌 (22)

  1. 조주희, "무라카미 하루키(村上春樹) 문학과서브컬처의 관계성 연구-라이트노벨과의 비교를 통해-", 일본언어문화, (28), pp.647~668 (2014), 한국일본언어문화학회[DOI]
  2. 東浩紀, "動物化するポストモダン", pp.8~9 (2001), 講談社
  3. 東浩紀, "ゲーム的リアリズムの誕生─動物化するポストモダン2", pp.142~ (2007), 講談社
  4. 大塚英志, "村上春樹論─サブカルチャーと倫理" (2006), 若草書房
  5. 大塚英志, "キャラクター小説の作り方", pp.24~ (2006), 角川書店
  6. 加藤典洋, "村上春樹イエローページ作品別(1979~1996)", pp.24~ (1996), 荒地出版社
  7. 柴田元幸他, "世界は村上春春樹をどうみるか", pp.227~258 (2009), 文春文庫
  8. 千田洋幸, "パラレルワールドを超えて:――二〇一〇年代文化の世界構成――", Japanese Literature, 63(4), pp.11~ (2014), Japanese Literature Association
  9. 中野収, "戦後の世相を詠む", pp.75~89 (1997), 岩波書店
  10. 中野収, "なぜ「村上春樹現象」は起きたか", ユリイカ, (臨時増刊), pp.39~45 (2006), 青土社
  11. 難波功士, "サブカルチャー概念の現状をめぐって", 社会学部紀要, (101), pp.162~ (2006), 関西学院大学社会学部紀要
  12. 難波功士, "メディアとサブカルチャー", マス・コミュニケーション研究, (70), pp.29~ (2007), 日本マス・コミュニケーション学会
  13. 村上春樹, "『物語』のための冒険", 文学界, pp.35~ (1985)
  14. 村上春樹, "村上朝日堂", pp.136~137 (1987), 新潮文庫
  15. 村上春樹, "村上春樹全作品1990~2000 ④ ねじまき鳥クロニクル" (2003), 講談社
  16. 村上春樹, "村上春樹 ロング・インタビュー", 考える人, (夏), pp.25~ (2010), 新潮社
  17. 村上春樹, "村上さんのところ―" (2015), 新潮社
  18. 村上春樹, "村上春樹、河合隼雄に会いにいく", pp.84~85 (1996), 岩波書店
  19. 山藤章二, "ヘタウマ文化論", pp.17~21 (2013), 岩波書店
  20. 横道誠, "村上春樹『世界の終りとハードボイルド・ワンダーランド』の3つの論点", MURAKAMI REVIEW, 1(92), pp.36~ (2018), 京都大学大学院人間・環境学研究科小島基洋研究室内 村上春樹研究フォーラム

관련 논문AI추천

이 간행물의 다른 논문 (12건)