명령하는 아버지 응답하는 아들; 유아적 노년의 로컬 부산 - 영화 <국제시장>을 중심으로 -

Abstract

Korean society has a characteristic that the desire of national economic civil society is carried out in the family's territory. Family territorialization is a direct example showing the flow of the desire which can not be projected onto the society and so it flows back to the family. Family territorialization appears and completely replaces national society whenever it is in crisis. Gukje market-ode to my father shows that the private relationship between father and son was substituted by the public political relation of commanding and responding. This paper considers the family-publicness processing that makes Deok-su's life localized wholly shown in the movie, Gukje market-ode to my father in alignment with that of the reality of Busan's localization. The refuge's publicness is to Family fascism which exploits Deok-su's whole life what planning for world city Busan is to Nationlized fascism to devastate the inner life. From the beginning, for Deok-su has to live as a son of his father, he was not allowed to define his independent identity. Busan is also colonial city which has no permission of independent planning. Therefore, 'Local' exists only as a victim of public fantasy under the conditions that public values are good. Deol-su's life was taken as security by his father who didn't return and Busan is obsessed with the standard of world city Busan. This local fantasy is the factor of the downfall to childish old-age's local in the 'timelessness' which can't escape from the past. In the territory of publicness, the strong command and the weak obey the commands. Publicness is the process of typical localization using mistaken fantasy by authority. To sum up, Gukje market-ode to my father is an interesting text showing the process of downfall of Deok-su and Busan which don't have their identity independence in the mistaken fantasy that there is no lack in authority.