아쿠타가와 류노스케의 『가레노쇼(枯野抄)』론- 바쇼의 신체와 죽음의 풍경을 중심으로 -

Abstract

The "Kareno Sho", which is based on the death of the famous haiku poet Matsuo Basho in the Edo period, is comparatively early in the works of Akutagawa, but the weight of the gaze toward death is never seen lightly none. 'Kareno Sho' is the motive of the death of Soseki Natsume, and the material of death is handled in various works ranging from his early representative works 'Rachomon' to his later works. The artist also shows his deep sympathy and respect for the character and life of Matsuo Basho through various works. Basho in the text shows the life and death scenes of Basho, but also the sight of Akutagawa. The previous research focuses on the loneliness of Basho through the egoism of his disciples. However, this article focuses on the appearance of human Basho, not the Great Basho. In comparison with the Hanaya Diary, which the writer used to refer to as 'Gareno Sho', he noticed how the gaze of Bisho and his disciples differed between the two works, and paid attention to Basho's physicality. I also looked at the eyes surrounding human death, not the death of great men. In the following, I looked at Basho's Haiku quoted in the text and the surrounding scenery surrounding his death to look at the boundary between life and death and the meaning of death as part of nature. The text shows ordinary human death through the artist's gaze that loves the contradictions of the human Basho. The death is not just an abatement, but a human being with dignity, who accepts his life and death. Despite his young age, Akutagawa has escaped from the typical mindset of separating life and death. It shows the providence of nature, the coexistence of life and death, and shows a keen and warm eye toward human beings.