무라타 사야카(村田沙耶香)와 김애란 문학의 비체(abject)성– 『편의점 인간』과 『비행운-하루의 축』을 중심으로 –

Abstract

This paper is analyzing the convenience store person and the axis of the day from the point of view of the abject. They live a life of rejecting or executing the role of women presented in the world of normal and normal, respectively, with only the sense of the body. Women who reject the dichotomy world that enforces motherhood become foreign objects, and women who accept it are subject to hate in the dirt of 'blot'. Both novels summon "Noh" and "kokukakusi-play", traditional spaces, weaving real spaces and clearing grudges. The foreign body is bound to the pressure of the family and the people around him and steps out of the other world and into the dichotomy real world, but it does not allow this choice. Women re-emerge in deep awareness of it, re-emerging "he abject" and transforming it into a third organism, "the convenience store person". On the other hand, women who have accepted the dichotomy world and practiced motherhood have suffered from the disappointment of their husbands and sons and have suffered from ‘the same as dolls’ and other people who can not escape. However, while re-equipped with "aversive motherhood" again, the resentment is cleared through the "Dolls play" summoned in "Chuseok", the sensibility of the body. Thus, the body is not animal or passive, but where meaning and semantic action and reproduction systems are constructed by weaving.,Therefore, it would be possible to see from these points as the point where the subtlety is affirmed, rather than as the subject abject. The women in the two novels are desperate for the real world that they want to force women to put 'motherhood' into the universality of 'family' in the way of dichotomy, but rather actively re-enact 'biche' and willingly communicate with the world.