듀안 마이클스 사진-텍스트의 특이성
On Singularity of Duane Michals’ Photo-Text
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It is because the more you focus on the shape of the photographic image and the narrative of the text, the more the shape and the narrative indicates the meaning outside the scene and narrative. Its significance lies in suggesting the possibility of having different perspectives on photography that has been perceived as taking the decisive moment. In his work, although the photographic image shapes certain scene, it is conceptually different from segmented time based on the historical/decisive moment, and it is not the sign of symbolic meaning. From there, the viewer reflects both his temporal and spatial real, so to speak now and here, and the photographic act indicated by the photographic image, as well as, both viewer’s image-memory and operator’s existential experience. As a result, the photographic image becomes the time-image.
Abstract
It is because the more you focus on the shape of the photographic image and the narrative of the text, the more the shape and the narrative indicates the meaning outside the scene and narrative. Its significance lies in suggesting the possibility of having different perspectives on photography that has been perceived as taking the decisive moment. In his work, although the photographic image shapes certain scene, it is conceptually different from segmented time based on the historical/decisive moment, and it is not the sign of symbolic meaning. From there, the viewer reflects both his temporal and spatial real, so to speak now and here, and the photographic act indicated by the photographic image, as well as, both viewer’s image-memory and operator’s existential experience. As a result, the photographic image becomes the time-image.
참고문헌 (14)
- 롤랑 바르트 Barthes, Roland, "카메라 루시다: 사진에 관한 노트 La chambre claire: note sur la photographie" (1997), 열화당
- 앙리 베르그송 Bergson, Henri, "물질과 기억 Matière et Mémoire" (2006), 아카넷
- 질 들뢰즈 Deleuze, Gilles, "시네마 II: 시간-이미지 Cinéma 2 : L'image-temps" (2005), 시각과 언어
- Deleuze, Gilles, "Difference and Repetition" (1994), Columbia University Press
- 필립 뒤바 Dubois, Philippe, "사진적 행위 L' Acte photographique" (2005), 사진 마실
- 이경률, "롤랑 바르트의 밝은 방에 나타난 푼크툼의 환유적 확장", 프랑스학연구, (39), pp.335~360 (2007), 프랑스학회
- 정훈, "듀안 마이클스 비주얼스토리텔링에 나타난 비선형적 메타-구조의 존재론적 고찰", 박사, pp.2017
- 롤랑 바르트 Barthes, Roland, "이미지와 글쓰기: 롤랑 바르트의 이미지론 Image and Writing: Roland Barthes’ Image Theory" (2003), 세계사
- 발터 벤야민 Benjamin, Walter, "발터 벤야민의 문예이론 Walter Benjamin’s Literary Theory" (2016), 민음사
- Foucault, Michel, "La pensée, l'émotion in Duane Michals : Photographies de 1958 à 1982" (1982), musée d'Art moderne de la ville de Paris
- Michals, Duane, "The Announcement of Duane Michals" (1974), Light Gallery
- Michals, Duane, "Duane Michals : Photographies de 1958 à 1982" (1982), musée d'Art moderne de la ville de Paris
- Michals, Duane, "ABCDuane : A Duane Michals Primer" (2000), The Monacelli Press