현대 미디어 이미지 담론에의 재고: 사진에서의 언술작용 분석

Abstract

This study has analyzed the characteristic of the photographic enunciation, its visual marks and made profound the discussion of photographic enunciation combined with the function of contemporary media image and the discourse of the media image, through the analysis of the telegram. Speaking of the image and the photography, it usually evokes the circumstances of the photographing or more generally those of the photographic act. The photographic text is therefore reduced th the psychological and technological context of its emission and reception. The image is also as arbitrary as the linguistic enunciation. The enunciation is the result of the enunciation. The image’s enunciation presupposes an enunciation which can be represented as the axe of the communication. Such a communication supposes a knowledge of the enunciator, a knowledge which the latter considers as the reality and which he judge as credible to this reality. The photographic act can be manifested differently by the apparition of the photographer. This analysis has permitted to make a list of certain numbers of marks of the photographic enunciation. The existence of such marks, relatively more numerous which we could believe it a priori, calls for a exhaustive study of this point of view. Telegram functions as separation the stating context of image and representing the profound exchange of contemporary media image. Therefore it makes a metalanguage’s means from the photographic frame and makes an accent on the situation of the enunciation. In this way, we reconsider the discourse of contemporary media image. The history of the photography has been transformed through the relation with the subject as enunciator. The systematic study of the image ha contributed to the profound comprehension of the signification of the image by the intersubjective correlation and the position of the subject. This analysis presents a new point of view for the analysis of the photography by the approach of the act of the subject of the photographic enunciation in the digital environment.