묵(墨)과 오채(五彩)론을 통한 수묵표현 연구

Abstract

In consideration of the artistic understanding of the Oriental art, I conductthe analysis of the Black Ink and the Five Colors in the understanding of thatBlack Ink supposed to embrace the Five Colors that symbolize all of the colors. Also I research about the Five Colors that appeared in literature in the meaningof the Five Elements and the development progress into the Five Colors. Basedon the understanding of the relations to the Black Ink,I analyze the philosophy and artistic quality of the Orient’s traditional Inkand Wash Painting. Recognizing the genuine start of Ink and Wash Painting inthe historical matter, I research through the formation and development of it. From the times when the Black Ink was produced as to represent total colorsto the times of Six State Era [229-589], when the Black Ink was used for writingand painting, the recordings are examined from the theories of occidental art. Through the formation of the Black Ink, I look into the time period andphilosophical changes when the Black Ink was introduced. In the study of theFive Colors that represent all of the colors in the world, I first study about theFive Direction Colors that derived from Yin-Yan and the Five Elements Theorythat existed from the ancient times. In the modern culture where visual images are majored, I tried to study themeaning of Ink and Wash Painting in the use of modernized transformation andsuggest the possibilities. This research has the implications for traditional arteducation in the sense that it broadens the understanding of the Black Ink and theFive Colors by revisiting its aesthetic significances.