마을 벽화와 주민문화와의 융합적 소통 가능성 고찰

Abstract

This study, based on the idea that the villages with wall paintings still show up continuously and the things are happening that make added values or artistic implications of wall painting villages rise, is to re-illuminate the several good effects and bad effects about wall painting villages and provide an harmonious approach by which artists and the local inhabitants can communicate each other for more valuable and artistic developments of the wall painting villages. Previously, walls and fences were just used as protection or barricades between in and out of houses, however, the meanings and values of the wall paintings rise so much as a new genre ‘art fence’ is emerging. However, the produced paintings on the walls begin to decay after 4 or 5 years of completion in general, and according to the cases of the villages the works are just left abandoned. Like this way, some light and shadowy issues we have not expected are coming up in the wall painting villages. From this effect of view, it will be very encouraging to examine the positive and negative effects that the wall painting villages have, even for design of the future wall painting villages. As the positive effects, the wall paintings have had influence on the local inhabitants about their lives satisfactions, improvement of the local cultures, and the considerations for the town reviving policies. As the negative effects, there have been the issues of the lack of communications with the local people, administrative operation, and not enough sustainable projects. To keep the wall paintings which began for improving cities appearances from deteriorating into abandoned horrid things in cities, we should rearrange the positive and negative effects that we have mentioned in this paper.