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‘新北京’과 ≪駱駝祥子≫의 현재적 의미에 대한 試論 -農民工문제를 중심으로-

A study on the Current significance in “New Peking & <Luotuo Xiangzi>

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참고문헌

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주제분류중국어와문학

초록

There Fiction “Luotuo Xiangzi” of Lao She is has a cultural value, such as documentaries about the civil society of Peking 1930. But meantime the evaluation of his work has been concentrated to identify the cultural values. Especially cultural policy with an emphasis on the ‘soft power’ in China was bring about distortions that limit the “Luotuo Xiangzi” phenomenon and the commodification of culture in Lao She cultural phenomenon called ‘京味(atmosphere of Peking culture/Peking flavor)’. Today ‘Three problem of rural community’ of China and represents the collapse of the rural society, the collapse of the rural communities and farmers have intensified the phenomenon farmhouse entering the city. Fallen peasants flowed into the city has not been incorporated into the civil society, and only reduced to the urban poor. Have “Luotuo Xiangzi” of Lao She was released in 1936, depicting the social implications Peking'30s, but “Luotou Xiangzi” that can have very large implications for the 21st century ‘農民工(laborer that from rural community)” problem in Peking. From this point of view, life in “Luotuo Xiangzi” that will be able to have simply meant that the social and cultural values, rather than stopping to.

Abstract

There Fiction “Luotuo Xiangzi” of Lao She is has a cultural value, such as documentaries about the civil society of Peking 1930. But meantime the evaluation of his work has been concentrated to identify the cultural values. Especially cultural policy with an emphasis on the ‘soft power’ in China was bring about distortions that limit the “Luotuo Xiangzi” phenomenon and the commodification of culture in Lao She cultural phenomenon called ‘京味(atmosphere of Peking culture/Peking flavor)’. Today ‘Three problem of rural community’ of China and represents the collapse of the rural society, the collapse of the rural communities and farmers have intensified the phenomenon farmhouse entering the city. Fallen peasants flowed into the city has not been incorporated into the civil society, and only reduced to the urban poor. Have “Luotuo Xiangzi” of Lao She was released in 1936, depicting the social implications Peking'30s, but “Luotou Xiangzi” that can have very large implications for the 21st century ‘農民工(laborer that from rural community)” problem in Peking. From this point of view, life in “Luotuo Xiangzi” that will be able to have simply meant that the social and cultural values, rather than stopping to.

참고문헌 (13)

  1. Lao She, "Laoshe Works" (1995), Renmin Wenxue Publisher
  2. Lu Xun, "Luxun Works" (1981), Renmin Wenxue Publisher
  3. Zhao Yuan, "Peking: Cheng yu Ren" (2014), Press of Peking Normal Univ
  4. Yang Jian Long, "Laoshe yu Dushi Wenhua" (2012), Press of Guangxi Nomal Univ
  5. Chen Ping Yuan Wang De Wei, "Peking: Dushi Xiangxiang yu Wenhua Huiyi" (2005), Press of Peking Univ
  6. Wang Yi Chuan, "Jingwei Wenxue Disandai" (2006), Press of Peking Univ
  7. Li Run Xin, "Laoshe Yanjiu Lunwenji" (2000), Renmin Wenxue Publisher
  8. Chen Gui Di, "Chinese farmers reportage" (2014), Ghil Publisher
  9. Lee Yook Yeon, "Post-socialism of Chinese culture" (2009), Press of Sogang University
  10. Gu Dong Hoi, "City in A Movie" (1999), Hanwool
  11. 김경석, "<駱駝祥子>와 <十七歲的單車>에 투영된 도시문명", 중국어문학논집, (43), pp.315~330 (2007), 중국어문학연구회
  12. 김경석, "京味小說의 淵源에 대한 一考― 老舍의 소설을 중심으로", 중국소설논총, 41(41), pp.225~237 (2013), 한국중국소설학회
  13. 김경석, "‘근대’를 바라보던 또 다른 시각: <老字號>와 <斷魂槍> 읽기", 중국소설논총, 29(29), pp.225~240 (2009), 한국중국소설학회

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