从探索到转型：论中国第五代导演的电影观念
From Exploration to Transition: on Film Concepts of the Fifth Generation Chinese Directors
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The film concepts of the fifth generation Chinese directors presented roughly such an evolution track: From the “one and eight” and “Yellow Earth” beginning, the “exploring movies” committed grand humanistic reflection and image exploration; as a symbol, the “red Sorghum” appearing in 1987, the fifth generation directors went through the change of film concepts for the first time, starting to focus on the film's narrative and ornamental; roughly from 1992's “Story of Qiu Ju” beginning, the fifth Generation started again the transformation of concepts, emphasizing the center of film art should be turned to characterization. Moreover, they thought that the film's artistic creation, image building, and forms innovation should organically be combined. Thus, about a decade's time from the early 1980s to the early 1990s, through continuous exploration and reflection, the fifth generation film directors gradually pushed the contemporary Chinese film concepts into mature.
Abstract
The film concepts of the fifth generation Chinese directors presented roughly such an evolution track: From the “one and eight” and “Yellow Earth” beginning, the “exploring movies” committed grand humanistic reflection and image exploration; as a symbol, the “red Sorghum” appearing in 1987, the fifth generation directors went through the change of film concepts for the first time, starting to focus on the film's narrative and ornamental; roughly from 1992's “Story of Qiu Ju” beginning, the fifth Generation started again the transformation of concepts, emphasizing the center of film art should be turned to characterization. Moreover, they thought that the film's artistic creation, image building, and forms innovation should organically be combined. Thus, about a decade's time from the early 1980s to the early 1990s, through continuous exploration and reflection, the fifth generation film directors gradually pushed the contemporary Chinese film concepts into mature.
참고문헌 (8)
- Erwei Li, "Zhang Yimou said" (1998), Chunfeng Literature and Art Publishing House
- Michael Berry, "Speaking in images: Interviews with Contemporary Chinese Filmmakers" (2008), Guangxi Normal University Press
- Ming Zhang, "Dialogue with Zhang Yimou" (2004), China Film Press
- Kaige Chen, "Intersection of Sadness and Joy" (1997), Guangxi Ethnic Publishing House
- Yuanying Yang, "90's‘Fifth Generation’" (2000), Beijing Broadcasting Institute Press
- Yijun Luo, "the 20th Century Chinese Film Theory Anthology" (2003), China Film Press
- Xiaofeng Cai, "Huang Jianxin : Young Eyes" (1996), Hunan Art Publishing House
- Xuan Zhang, "the Curfew Tolls for Whom" (1996), Hunan Literature and Art Publishing House