미술과 매체 - 모더니스트 미술에 미친 사진과 영화의 영향 -
Art and Media: The Influence of the Photography and the Cinema on the Modernist Painting
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To explore the relationship between art and media, this study focuses on the influence of the photography and the cinema on the modernist painting. These new media, appeared with the development of the science and the technology, began to make a close relationship with the everyday life of the people at the close of the 19th century. At the same time they exercised great influences on the manner of cognition of the people, especially of the modernist artists. Several artists paid a attention to the fact that the photography had ‘the eye of machine’ which lacked the subjective emotions and preconceptions in comparison to the human eyes. Some artists interested in the light on which the photography depend and some concentrated on the movements. In particular, the deep study of the photographers on the movements detonated the birth of the cinema and this new media strongly impressed the notion of ‘the simultaneity’ on the heart of the avant-garde artists. This resulted in Cubist's expression of the space, the dynamism of Futurist, the new concept of ‘photo-still’and photomontage in the art of Rodtchenko and in the thoughts of ‘nouveau réalisme’ of Fernand Léger.
Abstract
To explore the relationship between art and media, this study focuses on the influence of the photography and the cinema on the modernist painting. These new media, appeared with the development of the science and the technology, began to make a close relationship with the everyday life of the people at the close of the 19th century. At the same time they exercised great influences on the manner of cognition of the people, especially of the modernist artists. Several artists paid a attention to the fact that the photography had ‘the eye of machine’ which lacked the subjective emotions and preconceptions in comparison to the human eyes. Some artists interested in the light on which the photography depend and some concentrated on the movements. In particular, the deep study of the photographers on the movements detonated the birth of the cinema and this new media strongly impressed the notion of ‘the simultaneity’ on the heart of the avant-garde artists. This resulted in Cubist's expression of the space, the dynamism of Futurist, the new concept of ‘photo-still’and photomontage in the art of Rodtchenko and in the thoughts of ‘nouveau réalisme’ of Fernand Léger.
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