전복과 변형: 거트루드 스타인 시에 나타난 여성 모더니스트의 글쓰기
Subversion and Transformation:A Woman Modernist's Writing in the Poems of Gertrude Stein
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
Abstract
This paper aims to explore how Gertrude Stein as a woman modernist tries to subvert and transform the traditional patriarchal poetry writing through her revolutionary poetics. Stein is considered by many critics the chief modern literary eccentric owing to her unique style. Stein's writing style is totally differentiated from male modernists' poetic style. Most of all, repetition has a particularly important function in Stein's works, where it, like alliteration and rhyme, draws attention to the subversive and transformative potential of linguistic play. Focused on Lifting Belly and Patriarchal Poetry, this paper examines how Stein breaks the boundaries between outer and inner, and among objects, images, words, and mind, which symbolizes fluid, unfixed, finally permeable writing of poetry. In Lifting Belly, the title phrase, "lifting belly," repeated consistently throughout, represents both that which escapes traditional verbal definition and yet calls forth, in its various contexts, a joyous web of homosexual eroticism, creation, domesticity, celebration, and social and intellectual defiance. Stein presents a fluid, consummate experience labeled "lifting belly" that merges love, intimacy, domestic niceties and rituals, but attempts to expand all of these things. Furthermore, Patriarchal Poetry vividly describes that the landscape of Stein's writing is democratic, fluid and fragmented writing, while patriarchal poetry represents hierarchical, fixed and rigid style of writing. Stein's deconstructive and demythologizing rewriting of patriarchal poetry offers to the reader a new act of literary origination. Unordered by traditional sentences or syntax, Stein's words find a new poetics through repetition, variation, and rhyme. Finally Stein's poetry radically destabilizes binary opposition and hierarchical system of patriarchal writing.
참고문헌 (23)
- "Shari. Women of the Left Bank University of Texas Press" (1986)
- "Harriet Scott. The Public is Invited to Dance the Body and Dialogue in Gertrude Stein. Standford" (1989)
- "Breaking the Rigid Form of the Noun Critical Essays on American Modernism. Eds. Michael J. Hoffman and Patrick D. Murphy. Boston" (1986)
- "Introduction: Transformations of Gertrude Stein", 42(3), pp.469~483 (1996)
- "Composition as Meditation. Gertrude Stein and the Making of Literature. Eds. Shirley Newman and Ira B. Nadal. Boston", (rtheastern up) (1988)
- "Gertrude Stein: The Language That Rises, 1923-1934" (2003), Evanston: Northwestern UP
- "Astradur. The Concept of Modernism. Ithaca" (1990)
- "Recovering the Repression in Stein's Erotic Poetry."", pp.3~25 (1996), Philadelphia: University of Pennsylvania Press,
- "Gender and the Poetics of Excess: Moments of Brocade." (1997), Jackson: University Press of Mississipi
- "Ethics and Aesthetics in Twentieth-Century Women's Fiction. Philadelphia" (1990)
- "“Gertrude Stein and Expatriation." Prospero: Rivista di Culture Anglo-Germaniche 2", pp.25~34 (1995)
- "Julia. Revolution in Poetic Language. Trans. Margaret Waller with an introduction by Leon S. Roudiez. New York" (1984)
- ""The Fate of Gender in Modern American Poetry" Marketing Modernisms: Self-Promotion, Canonization, and Rereading.", pp.321~360 (1996), Ann Arbor: the University of Michigan Press
- "We Like a Fire and We Don't Mind if it Smokes Gertrude Stein's Transgressive World of Words in Lifting Belly.", pp.~13
- "Grammar in Use': Wittgenstein", Gertrude Stein, pp.1996, 13[DOI]
- "The Difference of Her Likeness Gertrude Stein's Stanzas in Meditation. Gertrude Stein and the Making of Literature. Eds. Shirley Neuman and Ira B. Nadal. Boston", (rtheastern up) (1988)
- "Composition as Explanation. Selected Writings of Gertrude Stein. Ed. Carl Van Vechten. New York" (1990)
- "The Geographica History of America or The Relation of Human Nature to the Human Mind. 1936." (1995), Johns Hopkins UP
- "University of Wisconsin Press" (1993)
- "with Introduction by Richard Kostelanetz. New Haven" (1980)
- "Lectures in America. New York" (1935)
- "and the Paradox of the Happy Marriage. Twelves Studies of Writers and Their Silent Partners. Ed. Ruth Perry and Martine Watson Brownley. New York" (1984)
- "The Somagrams of Gertrude Stein. Critical Essays on Gertrude Stein. Ed. Michael J. Hoffman. Boston" (1986)