百回本 『西遊記』「江流兒」故事析論
An Analysis of the Biographical Story of “River Float” in the 100-Chapter Journey to the West
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本文旨在探討『西遊記』極富爭議之「江流兒」故事的相關問題,分別從三個面向進行說明:一是文獻資料的承衍與西天取經故事神異化之過程;二是文學創作者於面對眾多資料時,如何處理「唐太宗入冥」與「唐僧出身來歷」之故事陳說;三是從小說敘事與結構上剖析「江流兒」與「十世說」之調處。通過本文希能釐測關於唐僧之出身來歷,何以未能與其他取經人物之處理方式一致的緣由所在。關於「江流兒」故事這個頗具爭議的古老問題,倘若能夠從小說源流、文學創作者及小說敘事結構的角度切入,或許是解開此一『西遊記』文學公案的一種研究策略。
Abstract
This article looks into the related controversial issues around the story of “River Float” (Jiangliuer江流兒) in the 100-chapter Journey to the West. It will approach these issues mainly from three aspects: ① The process how stories from previous historical documents formed and how fetching Buddhist scripts from India stories have been transformed and deified. ② How literary treatments of the events of “Taizong of Tang descending into the Hades” (太宗入冥記) and “the biographical background of Tripitaka(Xuan Zang)” (唐僧出身來歷) have been employed by the author(s). ③ Analyzing how the stories of “River Float” and “10-generations reincarnation” intermingled and merged. The main purpose of this study is to investigate the possible biographical background of Tripitaka and see how it is so different from the biographical stories of other characters in the novel. Regarding the controversial old problem of the “Jiangliuer” story, if it can be approached from the perspective of the origin of the novel, the literary creator and the narrative structure of the novel, it may be a research strategy to unravel this “Journey to the West” literary case.
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