신체 경험과 자아의 재건 — 영화 <맵고 뜨겁게(熱辣滾燙)>를 중심으로
Embodied Experience and Self-Reconstruction: An Analysis of the Film YOLO (You Only Live Once, 熱辣滾燙)
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper explores the 2024 Chinese film YOLO (热辣滚烫), directed by and starring Jia Ling, focusing on its portrayal of personal transformation, family dynamics, and gender roles. The story centers on Du Leying, a reclusive and unemployed woman in her thirties who struggles with low self-esteem and social isolation. After reluctantly taking up boxing, she undergoes a profound physical and emotional transformation. Du’s journey is not simply one of self-improvement but reflects the tensions faced by many young adults in contemporary Chinese society, particularly women. Her initial passivity, shaped by years of familial expectations and societal pressure, gradually gives way to a sense of agency as she confronts her fears, her family, and her own internalized limitations. The film presents family relationships—especially those with her mother and older sister—as critical spaces where emotional conflict and reconciliation unfold. These interactions reveal generational differences in values, as well as the weight of unspoken responsibilities placed on unmarried daughters. While the narrative culminates in Du’s physical transformation, the film resists framing this change as a simple triumph. Instead, it portrays growth as messy, nonlinear, and deeply personal. Du does not emerge as a conventional success story but as someone who redefines her own path, on her own terms. This paper argues that YOLO uses the sports drama format to tell a broader story about self-worth, resilience, and the quiet strength required to step outside prescribed roles. Through Du’s evolution, the film offers a reflection on how transformation can be both deeply individual and socially resonant.
Abstract
This paper explores the 2024 Chinese film YOLO (热辣滚烫), directed by and starring Jia Ling, focusing on its portrayal of personal transformation, family dynamics, and gender roles. The story centers on Du Leying, a reclusive and unemployed woman in her thirties who struggles with low self-esteem and social isolation. After reluctantly taking up boxing, she undergoes a profound physical and emotional transformation. Du’s journey is not simply one of self-improvement but reflects the tensions faced by many young adults in contemporary Chinese society, particularly women. Her initial passivity, shaped by years of familial expectations and societal pressure, gradually gives way to a sense of agency as she confronts her fears, her family, and her own internalized limitations. The film presents family relationships—especially those with her mother and older sister—as critical spaces where emotional conflict and reconciliation unfold. These interactions reveal generational differences in values, as well as the weight of unspoken responsibilities placed on unmarried daughters. While the narrative culminates in Du’s physical transformation, the film resists framing this change as a simple triumph. Instead, it portrays growth as messy, nonlinear, and deeply personal. Du does not emerge as a conventional success story but as someone who redefines her own path, on her own terms. This paper argues that YOLO uses the sports drama format to tell a broader story about self-worth, resilience, and the quiet strength required to step outside prescribed roles. Through Du’s evolution, the film offers a reflection on how transformation can be both deeply individual and socially resonant.