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진 켈리의 영화적 무용을 위한 카메라의 활용에 관한 연구

A Study on the Use of Camera for Cinematic Dance in Gene Kelly's Movies

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The study examined the use of camera for cinematic dance in Gene Kelly's movies. Hemade use of camera works to find ways to make his dance numbers as dimensional onscreen as possible. He used camera skill such as tracking, tilt up, zoom-in, close up, changeof angle two ways of moving camera. He utilized camera to push in order to get three-dimensionalforce into a dance. He synchronized dance with camera movement to get kineticenergy and roundness in consideration of backdrops. He emphasized the backdrops, light,colour, sculptures. cinematic devise.

Abstract

The study examined the use of camera for cinematic dance in Gene Kelly's movies. Hemade use of camera works to find ways to make his dance numbers as dimensional onscreen as possible. He used camera skill such as tracking, tilt up, zoom-in, close up, changeof angle two ways of moving camera. He utilized camera to push in order to get three-dimensionalforce into a dance. He synchronized dance with camera movement to get kineticenergy and roundness in consideration of backdrops. He emphasized the backdrops, light,colour, sculptures. cinematic devise.

참고문헌 (34)

  1. 김현옥, "마야 데른의 카메라를 위한 안무에 관한 연구", 대한무용학회 논문집, 35, pp.3~55 (2003), 대한무용학회
  2. 김현옥, "비디오 댄스 창작에 관한 연구 -무용과 카메라 기법을 중심으로-", 대한무용학회 논문집, 67(67), pp.97~129 (2011), 대한무용학회
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  5. Anderson, Melissa, "Gene Kelly @ 100, The everyman dancer astonishes again", The Village voice, ~ (2012)
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  23. Tony, Thomas, "The Films of Gene Kelly – Song and Dance Man" (1991), Carol Publishing Group
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  25. "Anchors Aweigh", Warner Bros Company, ~
  26. "Cover Girl. Columbia Pictures", ~
  27. "Franck Sinatra Collection", On the Town, Warner Bros Company, ~
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  33. "Summer Stock", Warner Bros Company, ~
  34. Parkinson, Michael, "Gene Kelly 인터뷰", ~ (1975)

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