비디오 댄스 창작에 관한 연구 -무용과 카메라 기법을 중심으로-
Creating Video Dance: Focusing on Dance & Camera Works
1
조회
0
다운로드
11
인용
0
참고문헌
키워드
초록
Video dance is a genre made for the camera where movement is the primary expressive element in the work, rather than dialogue or music to be viewed on video or on a film screen. Dance is an art existing in 3 dimensional space of a stage area. Film is 2 dimensional art. The camera is unable to convey the depth of stage space. The choreography has to be shaped for the camera. Video dance has to be created with cinematic language. In order to create a Video dance, a storyboard is needed to plan to shoot a dance piece. Camera position, camera size, camera movement need to be decided. The study is focused on the relationship between camera and dance in the video dance work "La Chambre" created by French choreographer/director, Obadia/Bouvier. The relationship between camera and dance is established. Sometimes dance movements initiate the camera, sometimes the camera pushes the dance. Camera movements draw the attention of audience and invite them to come into the imaginary world on the screen. When the camera moves with dance movement, it multiplies movement and creates synergy. It determines the entrance and exit of dancers and depicts the relationship between dancers. Camera movements and camera angles create the direction on the screen either diagonally in the beginning or vertically at the end of the work which intensifies the dramatic value. Putting together different sizes and angles creates rhythm. In "La Chambre" when screen is flat 2-D, it is like a painting, in 3-D, sculpture and when the camera moves it feels like dance.
Abstract
Video dance is a genre made for the camera where movement is the primary expressive element in the work, rather than dialogue or music to be viewed on video or on a film screen. Dance is an art existing in 3 dimensional space of a stage area. Film is 2 dimensional art. The camera is unable to convey the depth of stage space. The choreography has to be shaped for the camera. Video dance has to be created with cinematic language. In order to create a Video dance, a storyboard is needed to plan to shoot a dance piece. Camera position, camera size, camera movement need to be decided. The study is focused on the relationship between camera and dance in the video dance work "La Chambre" created by French choreographer/director, Obadia/Bouvier. The relationship between camera and dance is established. Sometimes dance movements initiate the camera, sometimes the camera pushes the dance. Camera movements draw the attention of audience and invite them to come into the imaginary world on the screen. When the camera moves with dance movement, it multiplies movement and creates synergy. It determines the entrance and exit of dancers and depicts the relationship between dancers. Camera movements and camera angles create the direction on the screen either diagonally in the beginning or vertically at the end of the work which intensifies the dramatic value. Putting together different sizes and angles creates rhythm. In "La Chambre" when screen is flat 2-D, it is like a painting, in 3-D, sculpture and when the camera moves it feels like dance.
참고문헌 (43)
- 김현옥, "마야 데른의 카메라를 위한 안무에 관한 연구", 대한무용학회 논문집, 35, pp.3~55 (2003), 대한무용학회
- 장정윤, "현대의 무용활동에 나타난 주요개념의 고찰", 대한무용학회 논문집, 65(65), pp.187~203 (2010), 대한무용학회
- Agiss,L, "Study pack for Students and Teachers learning about making Screen Dance", South East Dance (2008)
- Arnheim,R, "Film as Art" (1957), University of California Press
- Aubenas, J, "Filmer la Danse" (2006), La renaissance du Livre
- Bouvier, J., "L'Esquiss" (1991), Collection Angle d'ailes
- Bouvier, J., "L'Affraction du Silence" (1994), Editions Plume
- Clarke, M., "The History of Dance", Orbis, pp.240~241 (1981)
- The legend of Maya Deren a documentary Biorgraphy and Collected Works Vol. I Part Two, "Clark, V.", Anthology Film Archives Film Culture., ~ (1998)
- Deleuze, G, "Cinema 2 the time-image" (1989), University of Menesota Press
- Deren, M, "Cinema as an Art Form" (1960), New York
- Deren,M, "The Notebook of Maya Deren" (1980), New York
- Gombrich,E, "Histoire de l'Art" (1990), Flammarion
- Genne,B, "Dancing in the Rain: Gene Kelly's Musical Films, Envisioning Dance on Film and Video", Routledge, 71 (2002)
- Greenfield,A, "Artist Statement. Filmdance Festival Catalogue", Public Theatre, 26 (1983)
- Humprey,D, "The Art of Making Dances", Grove, 75 (1959)
- Jordan, S., "Parallel Lines Media Representations of Dance" (1993), John Libbey & Company Ltd
- Knox, D, "The Magic Factory" (1972), New York Praeger
- Mcpherson,K, "Making Video Dance" (2006), Routledge
- Mitoma,J, "Envisioning Dance on Film and Video" (2002), Routledge
- Parfitt, C, "Cybog Cinema(Dis)Embodying Cultural Memory in the Digital Age", 대한무용학회논문집, (61), pp.407~ (2009)
- Vansijil, J, "Cinematic Storytelling. Michael Wiese Productions" (2005), CA
- "International Journal of Screendance" (2010), Parallel Press
- Haller,R, "Some Propositions about Cinema Dance", Screendance Symposium (2008)
- Dunning,J.(, "7.15).Dance; L'Esquisse In Gothic Romance.The New York Times", ~ (1990)
- Dunning,J., "DANCE REVIEW; Body Vox, Grown From Pilobolus But Also a Distinctive Departure", The New York Times, ~ (2004)
- Kisselgoff, A, "Dance; Cinematic Impressions of Desire's Intensity", The New York Times, ~ (1994)
- Pasles,C., "Ironic View of "Paradise"", Los Angeles Times, ~ (1994)
- "Dance for Camera 2. First Run Features", ~
- "Dance for Camera 1. First Run Features", ~
- "Points in Space", Kultur International Films Ltd, ~
- Maya, Deren, "A Study in Choreography for Camera", Mystic Fire
- Ovadia, Bouvier, "La Chambre", L'esquisse, Arcanal
- "Bob Lockyer Video Dance Lecture", Australian Film Television Radio School, First Light Video Publishing, ~